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Pain
 

BY ALVERNE BALL

 
Cover image by Juan Carlos Martinez from Pixabay. Cover art by Gregory Hedgepeth.

Cover image by Juan Carlos Martinez from Pixabay. Cover art by Gregory Hedgepeth.

Pain was the name on the streets.

It was a name that carried with it enough power that the crooked Narco detectives out of the 13th precinct on Chicago Avenue didn't even attempt to pull Pain over and rob him for what he was worth (possibly millions) because they knew he was paid up to the right people; the kind of people who could force a cop into early retirement with half the pension.  Plus, it didn't hurt that he was backed by cold-blooded killers who could go out and make whole families disappear before returning home and fucking the living daylight out of their girlfriends as if it were nothing.

Pain was a name that warranted fear, and that fear churned deep down inside Dr. Jesse Crains’ stomach when the bone-colored SUV with its dark-tinted windows pulled up to the curb of his mother's two-flat brick home, which he had just recently sold, and the back door was thrown open wide like a Venus flytrap. "Ah yo, Doc, you comin’ or what?"  a voice said from the interior of the truck.

Jesse wiped his face clean of any perspiration that had formed on his brow. He was twenty-six, less then a year out of Howard, and he didn’t like the idea of being called Doctor; at least not yet. The title would start to take six months from now when a cute assistant by the name of Jessica Chan called him Doctor Crain in an almost sensual tone. It would be on that day he would know that the sins he had committed were ones he could carry to his grave without regret. It's now or never, he told himself as he stepped outside the fenced-in yard and shut the gate one last time to his mother's home. He stared up at the building, remembering all the times he and his best friend Bones had sat on the wooden front porch, dreaming of their time when they’d be the young lions running the streets, chasing tail.

"Ah, Doc, I ain’t got all day."

Right, right, get your head in the game, Jesse, he told himself as he released the gate and stepped over to the open truck.

Inside he found Gator, Pain’s right-hand man, sitting with a baseball cap dipped to the right over his dreads. He was a charcoal-colored man with a triple overbite. Gator smiled, showing his crooked incisors. "Hop on in," he said, patting the leather seat. Jesse stole a look at the driver, some piss-yellow light skinned kid no older than 18, then he slid in and closed the door behind him. "Damn, where the lab coat and all that Doctor Huxtable shit at?  You look like you from the streets," Gator said.

Good, thought Jesse. But instead he said, "Just because I'm a doctor doesn’t mean I have to dress like one. I grew up in these streets, too."  It had taken him at least an hour to pick out the jeans and button down shirt, something that would blend with the culture, but not enough to attract attention.

"Yeah, but you’ve been removed from these streets for some time now. They ain't what they used to be."

"I guess that's the evolution of all things."

"Evolution? Shit, Doc, things gone back to prehistoric times. Niggas shootin’ up niggas for no reason. Youngins ain’t honorin’ nobody. The only thing that’s still the same is Pain. We stayin' on top till the world blow. You feel me?''

"I feel you."

They showed each other love by shaking up, their fingers snapping as they parted hands. "Ah yo, Fin, get us up out of here. Let’s head to the spot." The teen shifted the truck into drive and they were off, speeding down the street into the night. "I know you saw some fine ass bitches when you was down there in college?" Gator asked, smirking, showing about ten teeth.

"A few."

"A few?  Nigga, I heard the stories about those country bitches with asses so fat you nut on one pump."

Jesse chuckled. "Yeah, there may have been a few of those down there, but I was more into my studies."

"So what you sayin'? You didn’t tap none of that country-bumpkin ass while you were down there?"

Jesse smiled. "Nah, I hit a few chicks… but you know, I had to keep my mind on my work."

"Okay, okay, I feel you. Business before pleasure. I can respect that."

"So, where we headed?" Jesse looked out the dark window at the growing silhouetted landscape.  Potholes littered the streets like mined-out craters. Whole blocks were either trash-filled vacant lots or dilapidated rat-and-roach-infested sanctums.

“To a party," Gator said, smiling. "Thought we should bless you back into the hood since this being your first night back." In actuality, it wasn't his first night back. He had been back almost a month. The first week was to bury his mother and the remaining three he spent his time making the rounds to the known hustlers, advertising his services, letting it be known that he was, as Kwon, a wannabe big timer, once said: "Cuttin' bricks of coke like slices of cake." The truck pulled up to the front of a club called The Pocket. Jesse recalled hearing that another big-timer by the name of Prince Paul owned it. "We're here," Gator said, "But before we head in, I need to check you."

"Check me? For what?"

Gator narrowed his eyes, putting on his killer stare as he grinned. "Come on, Doc, you know how this street thing go."

"I thought we were going to a party?"

"We are, but it's best I get this out of the way now than later, you feel me?''

What the hell, he had nothing to hide. He bent down on his knees and turned to face Gator. He raised his arms and waited for him to commence with the pat down. The two men locked eyes as Gator moved his hands up and down Jesse's torso. He dropped a hand down in between his legs and quickly felt up his crotch for a concealed weapon.

"Satisfied?" Jesse questioned.

"One more thing. Lift up your shirt." Jesse did as asked, but instead he unbuttoned his shirt revealing a green cross and bones tattoo over the left side of his chest. "We good," Gator smiled. “Time to meet up with the Pain."

They exited the truck leaving the kid at the wheel. At the entrance, two men wearing thick black puffy vests and baggy jeans met them. The men nodded to Gator and then threw open the door. The VIP section of the Pocket was lit with black lights. Each table at the twelve private booths were shaped like rackets with pool ball themed lights differentiating the table numbers. Caramel, vanilla, and chocolate complexioned women moved about the room serving drinks in scantly clad black-and-white uniforms while wearing green visors, as if they were bookies taking bets.

Gator led Jesse through a line of hustlers and gangsters seated around the room. Along the way a few hugs, some fist-pounding, and a lot of "love" was shared between Gator and his any-given-day rivals. At the end of the procession, far in the back, and flanked by two men with sharp murderous eyes, sat Pain.

Jesse ran his hands down the side of his jeans. His heart was pounding. After all these years of growing up and hearing Pain’s name run rampant through the streets, he was finally going to meet the man that was said to have cheated death more than Houdini; the same man who had escaped three indictments unscathed, because witnesses either went missing or changed their stories. The living legend that ran the streets for over a decade. Pain the Merciless.

Jesse, catching the guards glaring at his hands, stopped fidgeting and tried to remain calm, telling himself that Pain was just another test in his already test-filled life. Gator stepped up to the table first, giving Pain a warm embrace. Then he nodded, gesturing for Jesse to come over.

Pain stood at a mere five feet, maybe even five feet and one inch, but no taller. His eyes were small and his nose was large with round nostrils. His hair was cut low with waves that wrapped around his head. Adjoining each lobe of his ear was a two-carat diamond.

"This the doctor I’ve been telling you about," Gator said.

"You the doctor?  You the bricklayer?" Pain asked, more with his eyes than with his words. Bricklayer was the new word of the week. After Jesse had cut three keys of coke for Jamaican Tommy (who was now dead, killed by Gator's own hands, as it was said on the streets) without diminishing the potency of the product, his stock had since risen as one of those “chem-boys” that knew how to mix, cut and cook coke like Chef Boyardee.

Jesse nodded his acknowledgement of the epithet and took a seat.

"What are you drinkin'?" Gator asked, flagging down one of the waitresses.

"I don’t drink," Jesse said, afraid that if he took a drink now, he'd just throw it up.

"Yeah ... ummm," Gator said to the waitress. "Let me get two rum and Cokes… and a Sprite for the good doctor." The waitress fluttered her eyes at the word “doctor.” She held Jesse's whole being in her captivating stare. He faked a cough to break her spell. He had to keep his head on straight.

As the waitress turned to walk away, he thought about his ex-girlfriend Tanisha and how he had told her over the phone that they were over, mere hours after burying his mother. When she asked "why?" through broken sobs, all he could say was that he didn’t want her to get caught up in what he was doing. When she asked specifically what that was, he hung up.

"You like what you see?" Pain asked, not looking directly at Jesse. He was too busy scanning the room, looking for an unknown assassin.

Jesse sat back against the cool cushion of the booth. "She's cute, but not my type."

"Your type?" Gator said. "My only type is pussy - no matter what color it is."

The two guards laughed.

"So what’s your type?" Pain asked, this time turning to look at him.

"I don’t really know. I just know that she’s not my type."

"Why's that? Is it because she works in this club or because she’s dressed like a ho? Just because she dressed like one doesn't mean she’s a ho. You one of those uppity educated niggas who tend to look down on black women and his own race, huh?"

"No, not at all. I love black women. Actually, I love all women, but if you really want to know, she’s a little too tall for my taste. I like 'em short and thick."

"That's cool. As long as you ain’t on that gay shit, I don’t really care what your type is." The waitress returned with drinks, fluttering her eyes once more in Jesse's direction, but he didn’t bite. He had a job to do. "So I hear you from the hood," Pain said to Jesse after they had been sitting for a bit. "How come I ain’t never seen you?"

"I’ve been away at school," Jesse replied matter-of-factly.

Pain may not have known of Jesse's existence, but Jesse grew up watching Pain run their hood. Pain was who everyone wanted to be. He could remember nights when he and Bones would stay up talking and dreaming of the day they'd  be like Pain. For it was Pain who threw the nastiest block club parties. It was Pain who gave out turkeys on Thanksgiving and Christmas presents to little kids whose drug addicted parents (also Pain's customers) couldn’t afford to buy them gifts. It was Pain who drove the newest model car or truck a year before it hit the streets. It was Pain who went through and shot up his rival’s block, killed No Thumbs Larry, but damn, some shorty on the basketball court got hit with a stray. And it was Pain who held the block down with cocaine and marijuana when there was a drought throughout the city. Kept every hustler working and his family eating; that was better than government aid, wasn’t it?

"School, huh? So if you went to school what'cha doin’ back in the hood? That education didn’t get you a job at one of those big white corporations?"

Jesse bit back a smile. Pain was no one’s fool. "What can I say, I got too much debt and not enough money."

"So you decided to hit these streets. But you know it's dangerous out here for a freelancer. This game will chew you up and spit you out. You sure you’re ready for something like this?” Pain took a sip of his drink. He surveyed the club, taking in every individual, dividing the different posses by their street affiliations. To their left were five members of the Four Corner Hustlers street gang passing a bottle of Moet between them. Across from the 4's was a group of six Gangster Disciples drinking on a number of libations.

"I wouldn't be here if I wasn’t sure," Jessie finally said, calculating that the two rivals created a high probability of an incident occurring. "Are we going to get down to business or what?"

Gator looked to Pain and then looked away. That's when Jesse realized he had made a fatal error. Pain carried the power, so they would conduct business whenever he was ready and not before then. "Gator, you check this fool?" Pain asked.

"Yeah, I checked'em. He's clean."

"Check'em again."

"What? Now? Right here?"

"Yeah, right here!"

Gator sighed. "You heard the man, stand yo ass up."

Jesse did as told. Gator went through the routine of patting him down once more; proving to Pain that the good doctor wasn’t a snitch. "Aight, so you clean. That don’t mean shit. Give me one good reason why I should work with you?"

Jesse knew that the question wasn’t pointed directly at the quality of his work, because that was speaking for itself. Why else would he have an audience with Pain? No, the question was more, why should I let you live? And Jesse had only one answer. "Because I have my own lab."

"Yeah?" Pain said, taking a sip of his drink. "Your own lab, huh?" Jesse could see the gleam in Pain’s eyes. There was no mistaking it. A lab opened up the doors to ecstasy production, marijuana growing, and if careful, maybe even meth for those college kids every year that came into the city with eyes wide open. Hell, a lab introduced the possibility of the word limitless. "Gator tells me that this is your first night back in the hood. How about we enjoy it a little longer and then we can talk business."

"Sounds good to me," Gator said, flagging the waitress back to their table.

Jesse didn't want to party. He just wanted to do the business and be done, but Pain was calling the shots so party it was. The waitress, whose name was Kimberly, or Kim for short, or KK as her friends nicknamed her, had been sitting at Pain’s table for nearly an hour. If she was working, no one cared. Within that time, Gator had stepped off to hit the dance floor, which he seemed to be good at, if you considered he had a woman on each arm, and Pain had ventured to the back to speak to the proprietor, Prince Paul, about some business. Five minutes earlier, the waitress had laid a hand on Jesse's knee, and now her hand was slowly progressing up his leg as she talked about how cool it must be to be a doctor.

"So do you, like, operate on people?" she had asked, even though he had told her he was a chemist and not a surgeon.

"No!"  he yelled over the loud music, determined to make her understand. “I work with different types of chemicals to create things. Like weapons!" Not that he really worked on chemical weapons, but it was the best example he thought she’d understand.

"Oh, wow!" her eyes went wide. "So you’re like some type of rocket scientist."

"Yes,” he agreed, hoping that would get her to shut up.

Whatever Kim’s mouth wasn’t saying, her hands were speaking for her. She walked her fingers up along Jesse's leg until finally resting her hand in his crotch. She nudged herself closer and whispered into his ear. "You like that, Rocket man?"

"I don’t have time for this," he mumbled.

“Time is on our side tonight, baby." She cupped his penis and scrotum and gently squeezed. Jesse took a large gulp of his watered down beverage and then closed his eyes. He could see Tanisha, could feel her awakening his manhood with every stroke, and finally he reached out and took hold of her, tasting her sweet and sour lips. He was lost in her embrace when it dawned on him that these were not Tanisha's lips; hers were long gone, like his mother. He pushed the waitress away and wiped his mouth with the back of his hand. "What's wrong?" She looked at him as though she were a small child hurt by his actions.

He didn’t say a word. He stood up, a bit dizzy, and stepped away from the table. Out on the dance floor, he bumped and squeezed his way in between individuals, doing his best not to step on anyone's white Air Force Ones as that could lead to a life-or-death situation. He found Gator dry humping some woman’s butt as she twirled and switched it from side-to-side. If he didn’t know better, he would have thought the two were fucking on the dance floor. It wouldn’t have been the first time an incident such as this had occurred in The Pocket.

"Gator," he tapped the man on the shoulder. "Are we going to do some business or what?"

Gator, still mesmerized by the woman's ass, said from over his shoulder. "When Pain is ready." He went back to dancing.

Jesse turned and fumbled back through the crowd. He eyed the waitress still sitting at the table, sipping on some leftover drinks, waiting for him to return, but he didn't. Instead, he turned and headed for the restroom. The black and white tile inside the facilities was an abstract painting with no clear design, at least by Jesse's perception as he stared up at the ceiling trying to rearrange the pieces into a shape.

"You been poppin' too many of them pills, boy?" The old timer stationed at the sink handing out paper towels grinned, showing nothing but three teeth in the bottom of his mouth.

"What?" Jesse asked, stumbling to the sink.

"Yeah, I know you youngins need to pop'em just to feel alive," he continued, not budging from his stool. Jesse pushed down on the faucet and then shoved his hands under the cold water. He splashed his face twice then looked at himself in the mirror. His pupils were dilated. He looked as if he had just broken out in a cold sweat. He sloshed his face with water once more. "If you lookin’ to drown yourself, you’re going about it all wrong." The old timer laughed.

Jesse turned and looked at the man. He reminded him of one of his older cousins that he had somehow grown up calling uncle for some unapparent reason. He turned back to the mirror and did his best to steady his now shaking hands. What the hell was wrong with him? He hadn’t drank any liquor, and yet he felt that, if he didn’t concentrate on being on solid ground, he might float right up out of this place. The waitress. It had to be her. But why? Had Pain planned to betray him, or even worse… kill him?  He wasn’t sure. All he knew was that he needed air. After pushing his way through the growing crowd, Jesse stumbled out into the night. It was humid and he leaned against an exterior wall to balance himself.  The two doormen he had seen earlier at the entrance eyed him and smiled.

He turned away; leaning and brushing his head against the cool bricks of the building as the world whirled around him. He closed his eyes for a second in order to make it stop. "Get control of yourself," he said aloud as he stumbled out of the parking lot and into an adjacent alley. The stench of a rat's rotting carcass pulled at his nose hairs. He leaned against a dumpster with arms outstretched and thought to himself. So this is how it's going to go down? Killed by Pain in a fucking alley.

He stared down at the cracked concrete and focused.  Beneath the fragmented black tar were cobblestones from a century or two ago. He thought about his mother; how she had worked so hard to see him off to college. He remembered how proud she looked when she held his degree and read his name out loud. "You're the first," she had said. “The first in this family, and the first in this neighborhood, to do it in a long time."

He started crying. Remembering that he wasn’t supposed to be the first; that he and Bones were supposed to do it together. To be the firsts as they had planned. But “bullets don't have no names on them,” he had heard someone say, either before or after Bones' funeral. It was that message that had set everything into motion; from him going to college, to graduating with top honors, to securing a job as a chemist back east. But then his mother died from cancer and he was transported back to his neighborhood, back to the streets he had grown up in.

It was on the day of her funeral, while standing on the front porch of his home, that he spotted Pain, Gator and a few others he had known from around the way standing outside a corner liquor store, joking and drinking. He had watched them for close to an hour before he went off to bury his mother. As the gravediggers lowered her into the ground, all he kept hearing were the words: bullets don't have no names on them. And by the time the dirt hit her casket, he had remembered his promise to Bones: he wouldn't forget where he had come from in order to get to where he had to go.

Jesse shoved three fingers down his throat and damn near touched his tonsils before he regurgitated the contents of his stomach all over the dumpster and alley. Pink chunks of food and slimy bile seeped in-between the cracks and down into the cobblestones. He wasn’t sure if the forced-vomiting would relieve him of whatever drug the waitress had slipped him, because they seemed to be already working through his system, but he had a promise to keep and he had worked too damn hard to attain his street cred as an efficient cooker.

"Yo, Doc, you good?" he heard Gator ask at his back.

"Yeah, I'm good." He stood upright and took a deep breath.

"Cool, ‘cause Pain ready to do business.”

The black Benz, with its bulletproof glass and reinforced steel doors, was known on the streets as Pain's tank. No one knew exactly what it cost, but ask anyone and they’d tell you that it at least cost a nice grip. At the wheel was Gator, while Jesse and Pain rode in the back.

"He was all throwing up and shit," Gator said.

Pain chuckled. "Got you a taste of KK, huh?"

"I guess I did," Jesse replied, before he brought the bottled water to his lips and suckled down some liquid.

Pain nodded his head. "Before we go into business, I need to see the lab. I need to know you can break down more than what you did for Jamaican Tommy, you feel me?"

"I feel you." Jesse knew the risk of showing a potential employer his main lab. If it was deemed up to par, any wannabe hustler could smoke him on sight and take all he owned. But he was hoping that Pain could see the potential in him being alive. At least until they saw the lab.

"We need to head north towards the beverage factories out past Lake Street," Jesse said to Gator, who turned the car down a one-way street and headed north.

"Why put the lab in the beverage district?"  Pain wanted to know.

"Because it’s remote enough that no one’s going to ask questions about who's coming and going. Plus, the transportation of various chemicals isn’t being scrutinized by the cops as much as if I had setup shop somewhere else."

"I like the way you think." Pain nodded his approval. "If you can do what you say, then we’ll be like two peas in a pod."

"Trust me. When you see what I can do, you’re going to be speechless."

"As long as the product is good and the money's flowing, you won’t hear a word from me."

It was a bit past 12:00 a.m. when they pulled up to the two-story brick warehouse, which sat alone on a street that had once been populated with factories but were now abandoned lots.

Jesse had rented it from the owner, a Mr. Hassad, who didn’t give a damn about what he did with the place as long as he continued to pay cash.

"This the place?'' Gator asked, peering through the windshield, searching the abandoned street for other vehicles.

"Yeah, this the lab. Told you it was obscure."

"Check it out," Pain commanded.

Gator stepped out of car and removed a pistol from his waistband.  He walked around the building, making note of the Pepsi delivery trucks parked a block over in the distribution facility.

He came back to the car and ducked his head in. "It's clean," he said, opening the passenger side door while holding the pistol down by his side.

Pain turned and looked at Jesse. "If this is a setup, you’ll be the first to go."

Jesse nodded without a word and exited the car. They all walked towards the entrance before Jesse stopped and pulled a pair of blue latex gloves from his back pocket.

"What's those for?" Pain asked.

"Just preparing. I'm going to be handling some evil shit in there. Better to be safe, right?"

"Yeah, if you say so… you know more about this chemical shit than I do."

Jesse removed a thick chain and padlock from around the handles before pushing the thick wooden door wide open. The interior smelled of mold and ammonia. He led them down a semi-lit hall with Pain behind him and Gator in tow, covering Pain's ass. They came to a steel door when Jesse stopped. "I know yaw don’t yet trust me, so Pain how about you grab the door? That way Gator can keep the gun on me. I just want to reassure yaw that I'm on the up-and-up."

Pain pushed him to the side and reached for the door. When he pressed his thumb down on the latch, he quickly pulled back his hand. ''Fuck!" he yelled, shaking his injured thumb.

"What's wrong?" Gator asked, raising his pistol.

"Pricked my thumb on the door." He kicked the steel frame and an echo resounded throughout the hall.

"Hell, I thought something was wrong." Gator laughed. He was probably the only man that could laugh at Pain’s expense and live to tell about it.

"I forgot how tough these old doors can be," Jesse amused. "Let me get that for you."  He stepped over to the door and fumbled with the latch. When he finally opened it, the scent of formaldehyde, gasoline, and a chemical that left a metallic taste in the air greeted the three men. He flicked on a light near the door and the room was filled with a bright whiteness that half-blinded them. "Welcome to my lab."

The laboratory was a mixture of beakers, test tubes, Bunsen burners, and dark-colored jugs covered with skull-and-bone labels. Two ten-foot tables had been erected in the corner where a large electronic scale sat ready to weigh product. In another corner sat four steel barrels with the word ETHER painted in bright yellow letters along their bodies.

"This looks nice, but can you cook?" Pain inquired.

Jesse smiled. "I thought you’d never ask." He moved over to a four-foot wooden chopping block that sat in the middle of the room and bent down behind it.

"Slowly, Doc," Gator cautioned, raising the pistol and taking aim.

"Relax, Gator, just grabbing a little something that was given to me for a job well done." He rose slowly, making sure to keep eye contact with Gator as he laid an eight ball of blow down on the table.

"What's that?" Pain stepped back, creating a distance.

"Something from the last batch that I cooked up for Jamaican Tommy.  You said you wanted to know if I threw down in the kitchen… well now you get to sample it for yourself."

"Nah, not me," Pain said. "Gator, check that shit out, but only a taste."

Gator handed Pain the gun. He had heard that Jamaican Tommy's dope was that pure shit, but he hadn’t had a chance to sample it since they sold the confiscated bricks to some South Side player who paid $70,000, almost twice the going rate per key. Jesse unwrapped the dope from its Saran Wrap covering and cut a thin line with a discarded playing card. Gator smiled, showing his double grin, which so many men had seen before their deaths, then bent down to the chopping block. Suppressing a nostril, he inhaled the line in one snort. "Whoa!" He let out, squeezing and chaffing his nose a few times. "That's some good shit."

"Yeah, how good?" Pain asked, watching Gator try to shake off the effects of the super high.

"Better than what we’ve got on the streets right now."

Jesse stood back and marveled at Gator's admiration of his product. "See, right out of your own man’s mouth. And that was just a sample, now imagine what I could do for your product."

"Yeah, imagine,” Pain rubbed his chin.

"Ah yo, Doc, where your bathroom? My nose is beginning to burn a little. I think I snorted too fast."

"Straight out the door and two doors down the hall on your left."

Pain grabbed Gator by the arm. "Don't be too long in there, we got things to do."

"Cool," Gator replied before heading out the door.

"You know, Doc, if we go into business, you're going to have to move shop."

"Oh, and why’s that?"  Jesse bent down behind the chopping board to put away the eight ball.

"Because this place isn't secure, and if you're  going to work for me, you have to work under my conditions. I don't trust nobody."

“Funny you should say that, because I don’t trust anyone either," Jesse said from behind the chopping block.

"Then, I guess we’re going to have problems, huh?" Pain walked over and rested the gun on the chopping block.

Jesse looked up and saw the slant of the barrel pointed towards him. He then turned his attention from the gun and looked up into Pain's eyes. "I don’t think there's a need to have problems," he said.

"Good, because I don’t like to have problems with people I work with."

Jesse smiled as he stood up and leaned on the chopping block. He made sure to keep eye contact with Pain. "You know you don’t have to try and intimidate me. I would have worked with you anyway. Actually, I've been dying to work with you for a long time."

"Yeah, why’s that?"

"Because you’re Pain and you run these streets."

Pain smiled. "Well you know how that is... when I come through, I bring the Pain."

“That's what I’ve been told." Jesse pushed himself away from the chopping block and walked over to the barrels of ether.

"First thing tomorrow, Doc, I'm going to have Gator move you to a more secure location. And then we gon' get down to moving these bricks. Where’s he at anyway? Yo, Gator! I told you not to be taking all day!"

"He most likely can’t hear you." Jesse rocked one of the barrels from side-to-side.

"And why’s that? What the hell you doin' anyway?"

"The reason Gator can’t hear you is because he's dead." Jesse tipped over the barrel. The boooong sound bounced off the walls as the ether went flowing freely onto the floor.

"Muthafucka, you gon’ try and set me up!” Pain went to lift the pistol, but for some odd reason, his arm wouldn’t move. "What the hell?"

"Can't move your arm?"  Jesse asked, tipping over another barrel.

"What the hell did you do to me?''  Pain barked.

‘‘I’d say the suxamethonium chloride is starting to work its way through your bloodstream quite well."

"Sux-a-what?"

"Suxamethonium chloride.  It's a neuromuscular blocker that, once introduced to the bloodstream, causes short-­term paralysis throughout the body."

"When did you…" Pain lost his train of thought. The answer to his question had now formed on the tip of his tongue. "The door. That wasn't just some broken latch."

"Correct," Jesse said from over his shoulder as he wrestled with yet another barrel. "It was a disposable needle with a concentrated dose of succinylcholine."

Pain tried to lift his other hand to grab for the pistol, but his knees buckled and he fell to the floor. He could feel the ether slowly seeping into the fabric of his jeans; it danced along the edges of his fingertips, but he couldn't move. "So what’cha want, money? Killing me won’t getchu it." Jesse didn’t answer as he popped the small cork on the last barrel and tipped it over. "You think you’re hard enough to take over this game? Niggas will eat you up the first time they see you on deck. You need someone like me if you’re trying to come into this game and make a name for yourself." Jesse paused as if giving Pain’s words some consideration. But in actuality, the fume from the ether made him think of Tanisha for some odd reason. "So what’s it going to be?" Pain could feel his jaw starting to tighten. Jesse didn’t answer as he walked over to Pain. He stood over the man, looking down into his eyes. "Nigga do you know who I am? People saw us together, which means my people are going to come looking for you."

“Then let them come!" Tears were flowing down Jesse's cheek. "And yeah, I know who you are; you’re Pain. You and Gator shot up a block gunning for No Thumbs Larry, and in the process, you killed my best friend."

"What?"

"We were just playing ball, and then, you snatched him from me."

Pain wanted to say he was sorry, but his jaw wouldn’t move and all he could hum was Hm horry, hm horry.

Jesse removed the lighter from his pocket and flicked it. The flame jumped to life and wavered like a dancing hula girl. "This is for all the pain you’ve caused me." He watched Pain’s pupil’s grow wide as he dropped the lighter. He didn’t stay to see where it landed, but he was sure it would find the ether either way.

At the door, he turned and took one last look at Pain as the blue flames swept up his legs, towards his torso. Out in the hall, he stepped over Gator's lifeless body and continued towards the exit. He thought he might have heard the hum of Pain screaming, but he wasn’t sure.

Outside, he took a deep breath, and when he exhaled, he began to weep. Behind him, the warehouse was quickly burning and the smell of charred wood was already circumventing the atmosphere. He walked off into the night, feeling relieved he had kept his promise. He no longer had to remember where he had come from because it was all burning behind him. All he had to do was to look forward and know that he was headed for a place where there would be no more pain.


Alverne Ball has a M.F.A in Fiction writing from Columbia College Chicago.

Mr. Ball is the recipient of the 2019 Tin House Graphic Novelist Fellowship. He is the 2018 Chi-Teen Lit Festival graphic novel speaker. He is also the recipient of the 2014 and 2015 Glyph Rising Star award for his writing on 133art’s OneNation and OneNation: Old Druids. In 2009 Mr. Ball became the recipient of the first-ever Luminarts Graphic Novel Writing Award. He has also received Three Weisman Scholarships from Columbia College Chicago for his other graphic works. Mr. Ball has also created and written an online comic series, When we were Kings and Zulu, both published by popular entertainment website, Afropunk.com. He is the author of the crime thriller, Only The Holy Remain, published by Vital Narrative Press.

His writing has been published in the literary magazine Annalemma, in Columbia College newspaper The Chronicle, online at Brokenfrontier.com, online for the Museum of contemporary Photography in Chicago, online for Comicbookresources.com, and an online graphic story for the literary magazine, Hypertextmag.com. His short stories of suspense have appeared in the Sin anthology by Avendia Press, Criminal Class Review as well as the online magazine, the heatedforest.com.

Orgasms in the Office
 

BY Q. VERGARA

 

I get paid to play with my pussy, but I’m not a sex worker.

Image by RJA1988 from Pixabay

Image by RJA1988 from Pixabay

I remember reading an article years ago about this woman who found out one of her male coworkers would rub one out on his lunch. I was naive and APPALLED. So I kept reading. She said their company had private bathrooms so it wasn’t like he was being obscene and taking his one-eyed monster out in the middle of lunch. She had only figured out due to the closeness of their relationship and how he divulged he performed better (at his job… get your mind outta the gutter!). She was curious, so she decided to test the theory. The article goes on to document her experience as she decides to rubs one out in her car to see if it’s all it’s cracked up to be.

I remember thinking it would be a neat experience, but the thought ended there as I can be quite the chicken shit, and not even in my fantasies was I rubbing one out at work. I fucking hate that place.

Granted, I grew up with an extremely modest upbringing, so sex was something I naturally shied away from, although curiosity kept me at a stone’s throw. I lived most of my formative years in the Kingdom of Saudi Arabia in a shroud of modesty. Of course that altered the way I perceived sex, my body, and adult relationships. I wouldn’t say it single-handedly impacted the way I viewed these things, but it framed my thoughts. I viewed these things through this weird lens of ‘I’m a Free American woman,’ but I dare not be promiscuous, have multiple partners or… even masturbate. I wasn’t even on the debate team out of fear of being a master debater.

Image by RJA1988 from Pixabay

Image by RJA1988 from Pixabay

But I digress.

I was just unbearably shy about sex, and even though I would wear a plunge top and many men assumed I was well versed sexually, I was actually a virgin well into my twenties (or maybe they knew I was a virgin and preyed on me… but that’s a conversation for another time). I didn’t understand why everyone was so sex driven especially in a place that emphasizes guilt on half the people that engage in it (read: women). People seemed to use sex as a driving force and have it be the momentum for their decisions and in some cases the fuel to justify their actions. For a country that’s so sex-focused, we surely try to cover it up by making women feel guilty for our bodies and needs.

Years pass, I have a boyfriend that has lived with me for like ten years now, and because we have a kid, there’s undisputable proof that he’s cummed all up in my guts. I’ve been in America for over 15 years and I’ve grown acclimated to how to navigate sex and relationships. And with the #MeToo movement and the awareness on slut-shaming, I feel sexually empowered now more than ever before. I’m comfortable in my skin and even have some sex toys of my own. I’m an upper case Q now.

I don’t know what exactly happened, but one particularly stressful day, I was like ya know what? Since my work station is in my bedroom, I can take my fifteen-minute break and see what happens. I went into the bathroom and it was almost as if I was playing coy with my vibrator like even admitting I had every intention to practically electrocute my clit, was too forward and I couldn’t even admit it to the silence in the room. After I was finally able to even convince myself, I pulled down my panties and placed them to the side. I put on some music and grabbed my vibrator. I tried to relax as I heard the notifications chime in the next room.

Masturbation offers so many great benefits from relaxing to releasing endorphins to reducing stress - all of which I experience from a highly demanding job. But if diddling yourself at work was common place to reduce stress, wouldn’t more people be doing it? It just didn’t seem like enough reason to justify it.

Image by Tumisu from Pixabay

Image by Tumisu from Pixabay

When Jeffrey Toobin rubbed one out during a Zoom meeting during the pandemic in front of everyone, the conversation of masturbation at work took the spotlight. I heard many people saying there’s a time and a place and that he shouldn’t be doing that at work. I disagree - he just shouldn’t have been doing it while on a call in front of his computer. As the ultimate stress relief, why not empower employees to truly relax? Perhaps that would be a weird benefit. “Unlimited sick time and wack-off rooms!” But I think we’re missing a much more important conversation about taking the salaciousness out of masturbation and looking at it from a pure health perspective.

Psychology Today reports nearly 40 percent of people masturbate at work, but it’s unclear how accurate that number is due to people generally not wanting to divulge that type of intimate information. And understandably so, considering the repercussions could be termination. Surely, no one wants to be in HR having that conversation or explaining to the next employer why you were so suddenly let go. Side note: future employers, please hire me - I’m not a deviant!

And of course, there’s a time and place for everything. Obviously, you shouldn’t Jeffrey Toobin a Zoom meeting. But if you’re able to remove yourself from the computer, and truly have some privacy, why not go for it?

Image by Robin Higgins from Pixabay

Image by Robin Higgins from Pixabay

American social norms are peculiar. I felt like work was this ultimate facade of pretending in that people who felt too much were always deemed unstable or emotional. It was like at work if you weren’t stifling your true emotions then you weren’t doing it right.

I pressed the head of my body wand into my vulva and tried to relax. A thrill shot up my spine making me more wet than I would have normally been on a Tuesday afternoon. It didn’t take too many vibrating laps before my muscles released euphoria and my body spasmed. Then my alarm went off. I had a minute to clock back in. The calmness of release and excitement of doing something ultimately taboo filled me with a sensual allure.

When I returned to work, no one had any idea what had happened. How could they? I felt light, like I was floating. A smile plastered on my face from ear to ear and no one was the wiser. It felt good to recalibrate myself in the middle of the work day and return as if I had just meditated.

Image by Tayeb MEZAHDIA from Pixabay

Image by Tayeb MEZAHDIA from Pixabay

Surely I’m not saying no matter your job, play acoustic pussy or dick with no remorse for social conduct, but I am saying that sometimes creative and taboo solutions can have an advantageous outcome for you, you may not have previously explored.

Searching For The One
 

BY CHI CHAVANU ÀSE

 
Cover image by goranmax from Pixabay. Cover art by Gregory Hedgepeth.

Cover image by goranmax from Pixabay. Cover art by Gregory Hedgepeth.

Third apartment on this floor and all hopes of finding her were fading away. I walked through a wall and sat on a couch. Well, this was a nice apartment. Lots of African art and it smelled of incense.

I looked around for the remote. Since I had no hopes of finding “the one,” I might as well get comfy. I wondered if they had potato chips. They didn’t have any on my earth. I had barely picked up the remote to turn it from an outrageous reality TV show, when a girl came around the corner from the kitchen.

She dropped her plate. “What the hell are you doing in my house?”

I was equally as shocked. “You can see me?”

She looked confused. “Of course I can—did you think you were invisible? I’m calling the cops! You can’t just break into people’s houses and sit on their couch. Weirdo.”

I had found “the one.” I smiled as my fangs grew. Now it was time to fight.


Chi Chavanu Ase is a science-fiction/fantasy author who was first introduced to sci-fi by her mother at an early age. Often sent to her room for misbehaving, she would curl up in a blanket with one of her mother’s books which subsequently ignited the spark that would fuel her love for literature. She initially began writing and performing poetry at the age of twelve. Over time, she began to notice how difficult it was to find books that she could associate or identify with the characters, given the lack of representation. Thus, it became her greatest desire that little Black children would see themselves represented in every genre, especially sci-fi. Her first book, Journey to Ghana and Other Stories, focuses entirely on the Black experience. Likewise, it is her desire to continue writing stories and producing literary work that Black people can see themselves represented in. Chi currently resides in California with her fine-ass husband and amazing children.

Living Behind The Mask
 

BY CHI CHAVANU ÀSE

 
Cover image by R Nau from Pixabay. Cover art by Gregory Hedgepeth.

Cover image by R Nau from Pixabay. Cover art by Gregory Hedgepeth.

Each day with him was becoming increasingly more difficult. Even food tasted different. There was a grey film that seemed to sit over my eyes. And no matter how hard I tried, I couldn’t rub it away. He had put off having kids for another year. Typical. He wasn’t ready to die yet. As soon as I gave birth to multiples, I would kill him.

I had to maintain the facade of a good housewife with a loving husband who took care of me. Meanwhile in the Blessed world, I was one of the most terrifying creatures. My form tripled the size of my husband and my power knew no limits. I had no code. I killed both regs and Blessed alike. My hunger was growing and my husband knew his end was near. He kept claiming he was prolonging things, so he could build a savings for me and the children. Bullshit.

He had gotten comfortable in his human life and wasn’t ready to give it up, but I was suffering. I was supposed to have given birth at least five years ago and my body was changing for not having done so. He knew this. A part of me felt that he hoped I would die first, but that wasn’t going to happen—I would mate with another if I had to.

The hardest part of all was the mask I wore as a reg. I was what people called a “trophy wife.” I was slender with smooth dark skin and locs that went down to the middle of my back. When we attended his work events, he received praise off my presence alone. I cooked, cleaned, and did everything I was supposed to do. I even did all my hunting at night. I was absolutely perfect.

Why won’t he mate with me? Why won’t he uphold his end of the bargain? I felt myself sinking deeper and deeper into a hole. I should be raising my offspring by now, not tending to this fool. It was time for him to die.


Chi Chavanu Ase is a science-fiction/fantasy author who was first introduced to sci-fi by her mother at an early age. Often sent to her room for misbehaving, she would curl up in a blanket with one of her mother’s books which subsequently ignited the spark that would fuel her love for literature. She initially began writing and performing poetry at the age of twelve. Over time, she began to notice how difficult it was to find books that she could associate or identify with the characters, given the lack of representation. Thus, it became her greatest desire that little Black children would see themselves represented in every genre, especially sci-fi. Her first book, Journey to Ghana and Other Stories, focuses entirely on the Black experience. Likewise, it is her desire to continue writing stories and producing literary work that Black people can see themselves represented in. Chi currently resides in California with her fine-ass husband and amazing children.

When You Want to Quit, Find Your Magic Number
 

BY DARLENE P. CAMPOS

 

​I did a terrible thing recently. 

 Tropical Storm Imelda hit Houston on September 19th and two days prior, I went to a grocery store to stock up on necessities just in case of a flood (Hurricane Harvey memories, y’all). The minute I got home, I put my groceries away and hopped on my computer to sign paperwork for a side gig I got with an education company. The gig involves writing short stories, so I was excited to sign the official documents.  

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But when I opened my inbox to fetch the paperwork files, I had a new email. My contract with Vital Narrative Press is fulfilled with the release of Heaven Isn’t Me, so I’ve been sending my fourth novel to various agents and publishing houses to acquire a new contract since February 1st of this year. This email was from an agent I believed to be the one. This agent praised my manuscript from the first day we interacted. This agent absolutely loved my sample pages, asked for more pages, and eventually asked for the entire book because she enjoyed the characters so much.

However, this email was a rejection. And if that wasn’t a blow enough, I received two additional rejections as well—a total of 66 so far. 

I ran upstairs, grabbed the printed copy of my manuscript, tossed it in my bathtub, immersed it in water, and when it was softened enough, I tore the pages to shreds. I tore until the book resembled confetti. I tossed the pieces into a big trash bag. Minutes later, I sat on my bed and sobbed.

 

While I ultimately did sign the paperwork for my new side gig, I didn’t that evening. I thought the senior editor made a huge mistake in hiring me. My mind raced with several thoughts: 

Why would they want my work?

Why would they want to pay me for my work?

I’m not a writer. 

I’m someone pretending to be a writer.

66 people in the world think I’m terrible. 66. 

First thing tomorrow, I’m emailing the senior editor and I’ll tell her I’m not qualified for the job. 

While I do extensive research for all my novels, this novel was different. It’s based off true accounts from interviews I conducted with people who witnessed the events which take place in the story. I traveled to Washington D.C. to research for several hours in a museum’s archives. I also saved over a thousand resources onto a flash drive and spent more hours going through the resources when I got home. I read dozens of personal histories from people who passed away. This novel is different because it involves amazing accounts of people I grew close to and with the stack of rejections, all I could think was I failed everyone.

My husband came home from work half an hour later. He asked me what was wrong, and I told him everything, including what I had done to my manuscript. I had thrown the book away earlier this year, but that time, my husband found it in the trash and bought it back in the house despite my protests. 

This time, the book was destroyed. 

My husband dried my tears with his hands, hugged me, and whispered, “It’s okay, I have an electronic copy of your book saved on my laptop. Don’t give up.”

“I’ve done a lot of stupid things in my life,” I told him. “Writing this book and thinking I could have success with it was the stupidest thing I’ve ever thought and done.” 

“It wasn’t stupid,” he said and kissed my forehead. “Think of all the people you met, all the cool things you saw at the museum, all the personal stories you read – you were so happy when you wrote this book. Remember those classmates in your writing classes who told you you’d never make it? Don’t let them win.”

Simple words.

Don’t let them win.

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As of September 1st, I’ve contacted a total of 80. I have 14 left to hear from. But I haven’t contacted any other agents or publishing houses since the incident.

Maybe #81 will be the magic number.

Maybe #82.

Maybe #203.

Maybe #451.

I won’t let them win. I won’t let my self-doubt win. I won’t let my imposter syndrome win. And that goes for you, too. Remember those who told you couldn’t and whatever you do, don’t let them win. They think they can win the fight.

But you’re stronger. 

You’re talented.

You’re tough. 

When you want to quit, take a deep breath and go find your magic number. 


Darlene P. Campos earned her MFA in Creative Writing from the University of Texas at El Paso. She also graduated from the University of Houston with a BA in English-Creative Writing and a minor in medicine and Social Studies. She is from Guayaquil, Ecuador, but currently lives in Houston, TX with her husband David and an adorable pet rabbit named Jake. Her website is www.darlenepcampos.com. You can support her work here.

Why I’m Dropping My Penname
 

BY GREGORY HEDGEPETH

 

A few years ago, I adopted a new penname: Garvey Hemisphere. It was representative of my transition from GHDOS, a moniker I’d adopted because of my online presence, back when I was still on Tumblr and writing my own brand of erotic poetry. It was also intended to give credence to my new writings under Vital Narrative and start a new lineage like my pennames of the past: verBose and weLLSaiD. 

Unfortunately, I didn’t get a chance to do nearly as much writing as I planned under Garvey Hemisphere. In fact, besides a handful of poems, there wasn’t much new writing to speak of at all. Hemisphere essentially just replaced the previous names on all my old book covers, but I never really flourished writing-wise, because I simply didn’t have the time. 

That all changed with A Strange Fascination With Violence, which brings us to the present-day. I’ve always shied away from sharing my work with other people who knew me personally. I was nervous if they’d be judgmental of the subject matter, but also wanted my writing to stand on its own merits. I didn’t want anyone to support my work just because they knew who I was. 

Now that I’m a little older and wiser, I realize how foolish that is and I’m ready to accept everything that comes with it. In the words of the homie Marlo, my name is my name. And my name is Gregory Hedgepeth.

Unfortunately, it’s going to take some time to complete the full transition, but I’m excited about this next step in my writing career.


Gregory Hedgepeth is the editor-in-chief of Vital Narrative Press. You can follow him on Facebook, Instagram or Twitter. Feel free to follow on all three. Or maybe just two. Yeah, two’s probably good — he’s not that interesting. Gregory Hedgepeth is also the author of MISCONCEPTIONS ABOUT SUNRISES, THE YEAR THAT ANSWERED and A COLLECTION OF ECHOES. BUY THAT SHIT.

Darlene P. Campos’ Latest Novel is a Love Letter to Everyone Suffering With Anxiety
 

BY GREGORY HEDGEPETH

 

Writers are notorious for having mental health issues, most likely because we’re always in our own heads, constantly obsessing over the worlds, characters and scenarios we have created. Here at Vital Narrative, we are no different as a number of us advocate for and suffer with our own mental health issues, myself included.

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As Mental Health Awareness Month comes to a close, I felt it was important to share my experience reading Heaven Isn’t Me, the third novel from Darlene P. Campos. After completing my first read, I couldn’t deny how at ease I felt. There was such a calm in my spirit, because I felt seen and understood. In fact, it felt like she wrote it specifically for me. The story revolves around a 14-year-old girl named Elysian who discovers she is suffering with anxiety. The most poignant part of the narrative deals with the many stigmas surrounding mental health diseases in the form of Elysian’s family, who perceive it to be “all in her head.”

I started to read the anxiety pamphlets. They said the condition was common and it wasn’t anything to feel ashamed about at all. The typical symptoms were worrying, panic attacks, endless fears, trouble sleeping, and a lot more. t wasn’t me being weird. None of the emotions or attacks were my fault. It was anxiety. I had finally found the answer to what was wrong with me, and for some reason, knowing the answer made me feel normal.
— Elysian Lecaro, HEAVEN ISN'T ME

I was about 25 before I began to discuss my mental health issues openly, and since then, I’ve been a champion of others revealing theirs, because I see the impact and empowerment that comes with realizing you aren’t alone. These afflictions convince us that there’s no one else struggling with the same thing, even though we know it isn’t true. That’s why it’s important that we stay vigilant about treating these issues, but also help rid the world of the stigmas that come with them. 

Darlene’s novel is going to save a lot of lives. When you consider that even though anxiety and depression are treatable, but 80 percent of kids with a diagnosable anxiety disorder and 60 percent of kids with diagnosable depression are not getting treatment (according to the 2015 Child Mind Institute Children’s Mental Health Report), it becomes clear that this novel could serve as the caveat that drives teenagers and adolescents to seek treatment and not fear that which ails them. Despite the fact that the dialogue about mental health is finally coming to the forefront of mainstream media, we must remain attentive and sympathetic to the needs of those currently dealing with these illnesses.

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When I asked Darlene about what led her to craft this novel, she said:

Around the time I started thinking of an idea for my third novel, I was having the worst panic attacks, depression, and anxiety episodes of my entire life. I was diagnosed with anxiety and depression when I was 19 or 20, but as a younger adult, I noticed I would worry about almost everything and I would catastrophize all the time like ‘If I don’t find a date to the dance, I’m going to die alone,’ etc. So, I knew I needed to write the book I needed when I was younger. HEAVEN ISN’T ME is fiction, but there are real-life scenes sprinkled throughout, especially Elysian’s anxiety attacks. Those are the same attacks I had when I was her age. My mission with this novel is to let young people know that it’s okay to seek professional help.
— Darlene P. Campos

If I had come across these words as an adolescent, life would’ve been so much easier to navigate and I wouldn’t have spent so many years trying to hide myself and my affliction. Words can’t express how grateful I am for Darlene and her novel, which I’m sure will help ease the minds of us who feel alone, different or flawed as we cope with anxiety, depression, PTSD, ADHD, substance abuse and the plethora of disorders stemming from mental health illnesses. I’m proud to say Heaven Isn’t Me will release through Vital Narrative Press later this year.

 

Take a sneak peek at part of the cover below.

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To my fellow mental health sufferers, continue to stay strong and seek help when you need to. If you are a young person in need of mental health resources, visit the Society for Adolescent Health and Medicine.


Gregory Hedgepeth is the editor-in-chief of Vital Narrative Press. You can follow him on Facebook, Instagram or Twitter. Feel free to follow on all three. Or maybe just two. Yeah, two’s probably good — he’s not that interesting. Gregory Hedgepeth is also the author of MISCONCEPTIONS ABOUT SUNRISES, THE YEAR THAT ANSWERED and A COLLECTION OF ECHOES. BUY THAT SHIT.

How To Write A First Draft
 

BY GREGORY HEDGEPETH

 

When I was in the eighth grade, I fell hopelessly in love with a girl who sat two rows in front of me. She always spoke in a way that let me know she read books outside of school like I did. And because I knew how smart she was, I realized I couldn't approach her just any old way - I wanted to show my intelligence and poise as well. Or at the very least, I knew I needed to say hello without melting into my desk.

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So, I went over what I was going to say in my head for days. I knew I wanted to work in that I read a lot and had started writing my own stuff, but then I thought she might ask to read some of it and that terrified me. So I kicked that idea from my mental Rolodex and decided to start from scratch.

Days turned into weeks until I finally put my foot down. I told myself I was going to say hello and ask for her phone number. I arrived early for first period and to my surprise, she was sitting alone, digging for something inside her backpack. I didn't think it would leave a good first impression to startle her by appearing suddenly when she was sitting alone in a room (plus, I still needed another moment to gather my thoughts). I walked into the nearest bathroom to wash my hands and took a few deep breaths. I told myself I would just say hello and go from there. It had only been about two minutes, but I already felt a lot more relaxed going into the conversation the second time around. I left out of the bathroom and walked back in to see her surrounded by three of her friends, chatting happily about some television show I had never heard of. Feeling like I'd lost my chance, I decided not to interrupt and walked past towards my desk. There was plenty of time left in the day, so I still had time to ask.

Second period was gym, so after I dressed out, she walked into the gymnasium with a good friend of mine. They were laughing and having a great time, which wasn't a total surprise because my friend was just as witty and interesting as I was. But I didn't want to disturb their conversation, so I just settled in my mind that I'd just go up to her at lunch. It made the most sense - the gymnasium wasn't the best setting for an intimate conversation and people were more social during a meal anyway.

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But at lunch, she was nowhere to be found. I searched both exits and the courtyard to see if maybe she'd decided to eat outside, but still nothing. I didn't want to ask around and give off the suspicion that I was looking for her, but I wasn't sure what else to do. We had been near each other all morning and now that I was finally ready to ask for her number, she had disappeared. I decided to drown my sorrows in chocolate milk and a cardboard pepperoni pizza from the school cafeteria while I mulled over what to do next.

By the end of the day, every attempt at courting this young woman had been met with opposition and disappearances. Just 45 minutes remained in the day and I was determined to make them count. Time crawled by as the teacher lectured for the first twenty minutes, but then sped up as we were spread out into groups, inevitably setting me clear across the room from my muse. Before I knew it, there were just sixty seconds left in the day and it was now or never.

I told myself I could still catch her once the bell rang. At least if she said no, I could just run out of there and hop on the schoolbus.

The bell rang, I grabbed my bag and sprinted towards her desk, but an obstruction in a Yankees hat blocked the aisle and I couldn't fight my way though. Why did this keep happening?! By the time he moved out of the way, I checked her desk and she was already gone - I had lost her forever.

Or at least until tomorrow when I told myself I would arrive early again and make another attempt at attempting to ask.

But as you can probably guess, that didn't happen.

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And that's how most people write first drafts. They have all the best intentions and tell themselves that one day they're going to sit down and ask that girl for her phone number. Or ask that girl to the prom. Or ask that guy on a date, but they never muster up the courage to actually stand up and say what they have to say.

In order to write a first draft, you simply have to put the words on the page. Don't worry about making everything sound perfect - that's what editing is for. Don't obsess over trying to find two hours to write everyday. Or even writing everyday. Start with ten minutes every Friday during your last break at work. And then just go from there.

The conditions are never going to be perfect. You're never going to find the perfect notebook or the perfect pen. You don't need a brand new computer first. You don't have to wait until next year. Use what you have and do what you can.

If you want to write to a book, you have to write a first draft. And to write a first draft, all you have to do is write.


Gregory Hedgepeth is the editor-in-chief of Vital Narrative Press. You can follow him on Facebook, Instagram or Twitter. Feel free to follow on all three. Or maybe just two. Yeah, two’s probably good — he’s not that interesting. Gregory Hedgepeth is also the author of MISCONCEPTIONS ABOUT SUNRISES, THE YEAR THAT ANSWERED and A COLLECTION OF ECHOES. BUY THAT SHIT.