library-869061_1920.jpg

Blog

Blog

Why I Wanna Go To Cuba

BY: P. CURRY


Ah, Cuba. The forbidden fruit of the Caribbean (well, when you’re an American at least), only a few miles from the southernmost point of Florida. You know what they say about taboos. Tell a person they can’t and they wanna. Now, I’ve always been interested in Latin America and the Caribbean in general, but there’s just something about Cuba that I find especially alluring. Is it the music? The architecture? The history? The women? The cigars? The vintage cars? The fashion? The mystery? It’s probably a combination of all of those.

tumblr_inline_p5ku9o6e391v9nau6_500.jpg

Read the full piece on his website here.


P. Curry is currently working on his first book with Vital Narrative.

Bankrupt Childhood

BY: Q. VERGARA


child-2769913_1920.jpg

I got embarrassingly nostalgic and low-key emotional seeing a particular photo set on Facebook. We've been hearing the news for weeks now and it hasn't bothered me. The topic has always been a business debate, but it's never been about saying goodbye.

But tonight something happened. I sat down to smoke my bedtime bowl and perused my news feed so my thumbs could get their daily work out - phalange fitness is priority in my life. I see the regular everyday posts about politics and photos of babies and videos of cats and what the fuck ever. Then, I scroll down a little bit further and see the most adorable little girl. She has deep cherry brown hair and brown skin. She's standing in a store aisle surrounded by shelves that reach towards the sky filled with toys. The caption reads something to the effect of, she'll never get a chance to experience Toys 'R' Us like her older brothers, so here's a photo shoot of her inside the toy giant playing around for as long as she wants. +13 More. My finger was a curious.

Wow, Toys 'R' Us is actually closing, I thought.

The next picture was taken from behind as she looked up at a shelf. I could feel my throat get dry. But smoking weed does that to you, right? The third picture she's holding a toy twice the size of her. I felt small again. I could feel the little girls shoes around my feet. I felt a tinge of pain. The fourth picture she's running back to the camera with the gargantuan toy.

My son is nine months old. He's learning how to walk. He is my first child. He'll never experience the rush that was pulling up to Toys 'R' Us. He'll never know what it's like to see shelves filled up to the ceiling with every toy imaginable. He'll never know the critical thinking that went into toy selection. Finally choosing which toy to take home when your mom has a strict one-toy policy was difficult, but taught me to identify my wants and pick most accordingly with what fit my short-term and long-term goals (and Mom's budget). It always came down to Barbies, but which one was always the game changer. The only two places that even came close to Toys 'R' Us were Discovery Zone (Am I showing my age?) and book stores, specifically The Little Professor. Toys 'R' Us had that magic you could take home with you.

Becoming a parent for the first time was wild enough from conception to delivery and then gets even wilder after they're born. Being able to pass on a familiar experience from your childhood that filled you with so much excitement and happiness felt like a rite of passage. It was more than getting a toy. It was knowing a place exists that understands you and your wants.

But in all honesty, even if it stayed around, I doubt I'd take my son there as he grows up.

girl-535251_1920.jpg

Some years ago, I don't even remember how far back, I found myself in my local store in disbelief. It still feels like a lucid nightmare. Not because something terrible or traumatic happened but because of the feeling that stayed with me after I had left. It was like seeing your high school crush for the first time in 20 years and he's almost unrecognizable; not only because of the harsh whiskey stench that he marinates in, but then he farts and starts laughing at the rancid smell like he did all of those years ago and you remember why you stopped liking boys your age. It was like seeing an ex-boyfriend tripping balls off bug spray like you didn't even know that was a thing people were doing these days. You were humiliated for him.

But I digress, the last time I was there the air was thick. This big warehouse felt deserted and abandoned. No music playing. The aisles were ominous and watched you as you walked passed. I could hear squeaks on the linoleum floor an aisle or so over but I never saw another customer. The occasional employee would be spotted but I was to 'weirded' out to approach anyone. The inside of the store made me feel the same way a dead body would if it were propped up on display with its eyes open in a frigid oddly unnatural position. Uncomfortable was an understatement. The paint chipping on the cracked walls were just a small detail in the grand scheme of things.

That lasting image was traumatizing. I didn't want that to happen to my son. I couldn't discern if it was because I remembered how new and sparkling the store had looked in my childhood or if it looked as dilapidated to everyone. I refused to take that risk though. "It would have looked haunting to anyone," I said trying to convince myself. I felt like I would be introducing this beautiful boy to where toys came to die.

Is this what growing up felt like? It felt like time was betraying me. Like I woke up one day and I was old even though I thought I saw youth staring back in the mirror. Time was slipping through my fingers and burying me alive as I gasped for air. Has the world always been this disgusting and evil or are these new deadly trends a sign of the crumbling times? Was this the beginning of the end?

How did those pictures trigger such a powerful reaction? Or was I overthinking all of it? Was it just the weed? Did it even matter?

59b09946a60b1ae7bced279f619d9737.png

Years after my last encounter with the toy giant, my mom got a seasonal job there. When she didn't get hired on, I was mad at God. My mom was perfect. I was mad that not hiring her, made her feel less than she was worth. Recently, learning how many workers lost their jobs and that some even lost their retirements with the company, broke my heart. I understood why God didn't let us depend on that income. The devastation of losing a second house would have been more than we could have handled right now. I guess Chance the Rapper was right: "my God doesn't make mistakes."

When I thought about the chain, I thought back to a better world. A world that didn't have mass shootings, and overwhelming hurt and pain sprinkled with anxiety and a splash of depression. I wished for a world that didn't betray me overtime with new deadly trends. I wished for time not to team up with gravity and make my skin droop - for time not to affect our youth and for moms and dads to stay with you forever.

It became less about Toys 'R' Us and more about how time was speeding up. Maybe the amount of time a year is got shorter because I've lived longer. One month when you've lived through 360 of them seems less significant, and the more time that goes by, perhaps the next month will become even less important. Time was betraying me. Being thirty in 2018 was drastically different then what it was when my parents were my age. The thought of reaching some level of stability and success was fleeting. Who knows if I would get there before my parents are taken from me. It was a constant fear of mine. My dad's health has been declining over the years and seeing him age so much has had an unspoken effect on me. My grandfather died unexpectedly. What would stop death from doing to my son what he did to me? I constantly felt threatened not to get to comfortable.

Aging has been a terrifying inevitability if you're lucky. I may not even get the chance to age. I felt like becoming a mother made me mortal. I remember coming home from the hospital while my son laid in the NICU when he was five days old. My invincibility cloak came off and I haven't been able to find it since. Now when I go out, my only mission is to get back to that smiling face by any means necessary.

people-3200398_1920.jpg

I thought Toys 'R' Us would be here forever. Why would I think any differently? And coming to the realization they're closing their doors for good has been far more difficult for me than I'd care to admit.

My mortality, seeing loved ones age around me, becoming a mother. I'm living life on the other side of the glass now. The side that is no longer experiencing life for the first time, but helping a tiny human experience his. I never thought at 30, I'd finally feel the shift of becoming an adult.

My parents are now grandparents, so I guess this is goodbye then.

Bye. Thanks for the smiles.


Q. Vergara is currently working on her first book with Vital Narrative.

Alfred Finally Makes His Way Out Of The Woods in a Stunning Episode of 'Atlanta'

BY: A.A. REDD


(image: Vulture)

(image: Vulture)

This post contains spoilers for the "Woods" episode of Atlanta.

"Woods" is another flawless episode of Atlanta. The line between the surreal and the mundane this season seems more blurred. Mostly it's seemed to push every situation from creepy to blatantly horrifying, and this works strongly in its favor considering the theme of this batch of episodes (Robbing Season).

Watching this episode made me realize that one of the aspects of the show that's hardest to watch is how few of its characters get to win. Even Darius - who normally sees at least a small victory when everyone else loses - was cheated out of his goal at the end of his episode because of an atrocity someone forced him to the center of.

This episode felt a little less appalling, but only marginally so. It still felt incredibly heavy, maybe because of how much we as viewers have invested in Alfred's journey so far and how far we've seen him come, and the show reminds us of this: he has a girlfriend who is not only also a famous rapper but who is comfortable with him and seems to (try) to support him in a way that he needs; he buys a pair of expensive shoes in a shop so ritzy that all the white people are too old and bourgeois to recognize the rapper couple; and he hears his song on a major radio station, when he used to have to literally bribe someone to accomplish that.

Al has changed a lot in some ways, but in some ways he's exactly the same, and the show finally shows him in no uncertain terms that this selective growth cannot continue. This episode is one of those that's felt especially like a horror film, and I found myself yelling at the TV when Alfred ignored his harbinger (Sierra) and went on to meet with his series of weapon-weilding villains. You see it coming a mile away, just like in the movies, and just like those characters our Al is still too flawed to meet with his antagonists and win. It's incredibly heartbreaking to see Alfred try and stay consistent & true to his values and watch the world do nothing but punish him for it, but I'm hoping from the way that Alfred handled that photo op at the end that change is coming for him sooner rather than later.


A.A. Redd is a poet and Vital Narrative author. You can support her work here.

Muse Musing

BY: T.J. LOVE


chopin-503211_1920.jpg

i date a writer
and sometimes
i spawn ideas for their work
like unnecessary heartache
and the breaking of
our trust's femur
i cause ruptures in our ozone
just to let the sunlight in
they immortalize me
when i immolate them


T.J. Love is a poet and Vital Narrative author. You can support his work here.

How To Write A First Draft
 

BY GREGORY HEDGEPETH

 

When I was in the eighth grade, I fell hopelessly in love with a girl who sat two rows in front of me. She always spoke in a way that let me know she read books outside of school like I did. And because I knew how smart she was, I realized I couldn't approach her just any old way - I wanted to show my intelligence and poise as well. Or at the very least, I knew I needed to say hello without melting into my desk.

letter-761653_1920.jpg

So, I went over what I was going to say in my head for days. I knew I wanted to work in that I read a lot and had started writing my own stuff, but then I thought she might ask to read some of it and that terrified me. So I kicked that idea from my mental Rolodex and decided to start from scratch.

Days turned into weeks until I finally put my foot down. I told myself I was going to say hello and ask for her phone number. I arrived early for first period and to my surprise, she was sitting alone, digging for something inside her backpack. I didn't think it would leave a good first impression to startle her by appearing suddenly when she was sitting alone in a room (plus, I still needed another moment to gather my thoughts). I walked into the nearest bathroom to wash my hands and took a few deep breaths. I told myself I would just say hello and go from there. It had only been about two minutes, but I already felt a lot more relaxed going into the conversation the second time around. I left out of the bathroom and walked back in to see her surrounded by three of her friends, chatting happily about some television show I had never heard of. Feeling like I'd lost my chance, I decided not to interrupt and walked past towards my desk. There was plenty of time left in the day, so I still had time to ask.

Second period was gym, so after I dressed out, she walked into the gymnasium with a good friend of mine. They were laughing and having a great time, which wasn't a total surprise because my friend was just as witty and interesting as I was. But I didn't want to disturb their conversation, so I just settled in my mind that I'd just go up to her at lunch. It made the most sense - the gymnasium wasn't the best setting for an intimate conversation and people were more social during a meal anyway.

restaurant-406972_1920.jpg

But at lunch, she was nowhere to be found. I searched both exits and the courtyard to see if maybe she'd decided to eat outside, but still nothing. I didn't want to ask around and give off the suspicion that I was looking for her, but I wasn't sure what else to do. We had been near each other all morning and now that I was finally ready to ask for her number, she had disappeared. I decided to drown my sorrows in chocolate milk and a cardboard pepperoni pizza from the school cafeteria while I mulled over what to do next.

By the end of the day, every attempt at courting this young woman had been met with opposition and disappearances. Just 45 minutes remained in the day and I was determined to make them count. Time crawled by as the teacher lectured for the first twenty minutes, but then sped up as we were spread out into groups, inevitably setting me clear across the room from my muse. Before I knew it, there were just sixty seconds left in the day and it was now or never.

I told myself I could still catch her once the bell rang. At least if she said no, I could just run out of there and hop on the schoolbus.

The bell rang, I grabbed my bag and sprinted towards her desk, but an obstruction in a Yankees hat blocked the aisle and I couldn't fight my way though. Why did this keep happening?! By the time he moved out of the way, I checked her desk and she was already gone - I had lost her forever.

Or at least until tomorrow when I told myself I would arrive early again and make another attempt at attempting to ask.

But as you can probably guess, that didn't happen.

solo-2051508_1920.jpg

And that's how most people write first drafts. They have all the best intentions and tell themselves that one day they're going to sit down and ask that girl for her phone number. Or ask that girl to the prom. Or ask that guy on a date, but they never muster up the courage to actually stand up and say what they have to say.

In order to write a first draft, you simply have to put the words on the page. Don't worry about making everything sound perfect - that's what editing is for. Don't obsess over trying to find two hours to write everyday. Or even writing everyday. Start with ten minutes every Friday during your last break at work. And then just go from there.

The conditions are never going to be perfect. You're never going to find the perfect notebook or the perfect pen. You don't need a brand new computer first. You don't have to wait until next year. Use what you have and do what you can.

If you want to write to a book, you have to write a first draft. And to write a first draft, all you have to do is write.


Gregory Hedgepeth is the editor-in-chief of Vital Narrative Press. You can follow him on Facebook, Instagram or Twitter. Feel free to follow on all three. Or maybe just two. Yeah, two’s probably good — he’s not that interesting. Gregory Hedgepeth is also the author of MISCONCEPTIONS ABOUT SUNRISES, THE YEAR THAT ANSWERED and A COLLECTION OF ECHOES. BUY THAT SHIT.

Why I'm Thankful For Vital Narrative
 

BY GREGORY HEDGEPETH

 

When I first started Vital Narrative Press, my bank account had $24 in it, I had been unemployed for two months and I was living on my grandmother's couch, trying to figure out how I was going to put my life back together.

grandma's couch.jpg

As a lifelong writer, I had dreamed about starting my own publishing company for years and I knew there was a need for stories by people of color. But with no funds and no prospects, it was obvious the odds weren't in my favor. As the days marched by and my bank account continued to dwindle down to nothingness, I knew I had to take action. I asked myself what I had to lose, bought a domain, filed all the paperwork, created a website, and within a few weeks, Vital Narrative was born.

I had no idea what I was doing at first, but I knew if I took small steps each day and invested everything I could into the business, it would be a success. I took odd jobs and worked at temp services to finance the company while I spent the next several years researching the process, finding mentors, securing authors and learning the business. During our first year, we barely made any revenue, but we continued to make progress month-by-month and our growth steadily increased.

I managed to finance everything out of my own pocket and invested thousands of dollars to be the change I wanted to see within the industry. Some days it seemed like a lost cause and there have been plenty of times where I considered quitting to focus my attention on other things that wouldn't require nearly as much time, effort and money.

But the truth is, I fucking love this company. There are days where I spend eight hours at a desk job, just to come home and spend another eight hours or more working on various tasks that I know will benefit the future of the company. But it's worth it because every time I interact with my authors or our readers, I always come away feeling better - like I'm finally doing what I was put here to do. I know it's a cliche, but it usually doesn't feel like work and every day presents a new and exciting challenge. 

I don't know if Vital Narrative Press will ever be a million-dollar company. And I won't feel like a failure if it doesn't. I didn't start this company just to make money - I wanted to invest in people who work hard, so I could help them build a platform and get their stories out to the world. And so far, I've done that... but there's still plenty of work left to do.

So on the days where I feel the weight of the world on my shoulders, I force myself to see things from that perspective. These authors took a chance on me, hoping I would enrich their writing careers and I'm still very much dedicated to making sure that happens.

It's humbling when I think about the progression we've made in such a short time. We literally started from the bottom, but three years later, we're still here.

I wanted to make sure that I gave thanks to every author on the roster, our readership and all of our supporters who helped make this dream come true. I hope you take time today to thank all those who helped support your dreams as well.

Happy Thanksgiving.


Gregory Hedgepeth is the editor-in-chief of Vital Narrative Press. You can follow him on Facebook, Instagram or Twitter. Feel free to follow on all three. Or maybe just two. Yeah, two’s probably good — he’s not that interesting. Gregory Hedgepeth is also the author of MISCONCEPTIONS ABOUT SUNRISES, THE YEAR THAT ANSWERED and A COLLECTION OF ECHOES. BUY THAT SHIT.

We Are The Lions
 

BY GREGORY HEDGEPETH

 

About a month after our third anniversary, I lost someone close to me and it took a while for me to get over. Coincidentally, she was incredibly vital to Vital Narrative since the very beginning and I would be remiss not to mention her contributions to the company. Her name was Panda, and back when I was still sleeping on my grandmother's couch, she allowed me to create and share my talents with the world.

That's because Panda was my 21-inch iMac computer and she was where every Vital Narrative document lived.

This is NOT Panda.

This is NOT Panda.

Unfortunately, old age caught up with her and despite my best efforts, she still ended up joining that old Apple graveyard in the sky. So after I grieved an appropriate amount of time,  I found a suitable replacement named Simba and immediately got back to work.

If there was a silver lining to the whole ordeal, it was that everything had to be transferred over and it gave me a chance to go through our archives. I went on a wild trip down memory lane and came across some of our old logos from WAAAAAY back.


OG VN Logo.jpg

The

OG

(2014)


OG VN Logo 2.png

The Sequel

(2015)


OG VN Logo 3.png

The Panda

(2016)


Looking at where we came from made me even prouder of what we've become and where we are headed in the future. But in doing that, I knew it was time for the company itself to evolve into something more representative of what's to come.

When we first began, the bear was the key element of our brand, meant to represent how multi-faceted people of color are despite mainstream media's obsession with pigeonholing our experiences.

Not long after Panda died, we posted this on our Facebook page:

To the casual observer, this was probably just another post - but it was really the mark of our new identity: we are the lions who learned to write.

With fake news running rampant these days, it's imperative that we write and share authentic experiences with the world. It's easy to complain about how we are portrayed in media, but now, more than ever, we have the ability to control these narratives.

The hunters have told tall tales of their journeys for centuries - but now that the lion has the pen, we have a duty to honor all that came before us.

VN Lion Head Logo.png

We are the lions who learned to write - and writing is what we will do.


Gregory Hedgepeth is the editor-in-chief of Vital Narrative Press. You can follow him on Facebook, Instagram or Twitter. Feel free to follow on all three. Or maybe just two. Yeah, two’s probably good — he’s not that interesting. Gregory Hedgepeth is also the author of MISCONCEPTIONS ABOUT SUNRISES, THE YEAR THAT ANSWERED and A COLLECTION OF ECHOES. BUY THAT SHIT.

Don't Be Sorry for Transwomen, Be Better

BY: T.J. LOVE

 

Black people are the most vilified, antagonized, unduly criticized people walking God’s green Earth. And I love my community, I honestly do. But we are not beyond reproach. There are many topics that are still taboo in the Black community because of deeply entrenched misogyny and the traditional need to “keep up appearances” in the street.

My grandmother used to tell my cousin and I, 'no matter what happens in this house, don’t let it spill outside.' Everyone doesn't need to know your family's business, so that may be fine for keeping certain internal conflicts from being exposed to the outside world, but when it applies to things like mental illness, homosexuality, etc., it’s suppressive and disabling.

wall-2564902_1920.jpg

As far as the burgeoning topic of gender identity and sexuality are concerned, we are still very oppressive towards our own because of the deep-seated hypermasculinity that pervades each and every level of our community and it is viscously damaging. AVP spokesperson Sue Yacka told The Daily Beast that of the 17 homicides of trans and gender-nonconforming people in 2017 the project has counted so far, 16 were people of color. Additionally, fifteen had been transgender women and thirteen had been Black transgender women. “This is that we know of,” said Yacka. “The figure may be much higher, due to misgendering and misnaming often by police and local media.” It appears that Black men are still afraid of being caught with trans women because of what they perceive their peers will think about them, conflating trans women as "men in women’s clothing." That perception is incredibly damaging and perpetrates violence against trans women.

We don’t afford trans women the same rights we give cisgender women because we still conflate genitalia for gender. Admittedly, I am unpacking the same damning concepts and misconstructions because of the socialization I’ve been exposed to all my life where masculinity is constantly being subjected to social cues and critiques, whether it be from family, music or relationships, our manhood is always co-opted by socialization.

So why wouldn’t I buck against gender identity? Shouldn't I be upset if I dated someone I thought was a cisgender woman, but was actually a transwoman - ain’t I 'gay' for that? My homies may turn on me, so shouldn't I hide the fact I ever did that? What will everyone think?

wall-2593838_1920.jpg

While I don’t excuse that mentality at all, I understand where it comes from. It takes a lot to undo the destructive, primal, chest-beating, psychosomatic reaffirmation of masculinity and what makes a man 'a man.' But rather than address those issues, it is significantly easier for many men to abandon all understanding and tolerance and simply be an asshole. But in being an asshole, the assertion that transfolk aren’t worth learning their identities and respecting them enough to address them as such, as well as not being antagonistic towards them is exactly the fight our community goes through. Yes, our discrimination is different systematically, but the origins are the same: 'I don’t value you as a human being therefore I don’t give a shit about who you are and what you stand for and I will dehumanize your existence at any opportunity that I get.' That is hypocritical. 

We can’t exclaim that “Black lives matter,” but then exclude Black trans folk because they don’t fit in with our heteronormative concepts. We don’t need to demand that transfolk meet our comfortable sensibilities - we need to meet their humanity at the base level. It literally costs you nothing to respect pronouns and identities. You’re not subscribing to some sort of wicked agenda - you’re just being a decent human being.

I currently date a transwoman. She is 'genderfluid' meaning she identifies either as a woman or agender. Currently, her pronouns are “she/her" but a lot of genderfluid people identify as “they/them." She was afraid to come out to me because she felt like it might scare me off, which is the same fear a lot of transfolk probably feel.

They may wonder: is this person going to reject me?

Is this person going to hurt me?

Is this person going to kill me?

An interesting aspect of our relationship is the conversations we have about her identity and how she’s learning a lot about herself every day, which she imparts on me daily. We hit bumps in the road, because I’m still unpacking a lot of things myself. I’m learning how to unlearn all these aspects of toxic masculinity that have been dormant in me all my life. I still deal with little microaggressions that want to come out of my mouth and I have to censor myself a lot because I don’t want to be insensitive or unconsciously cruel. I still find myself on social media, speaking in trans spaces and stepping on toes by centering the conversation on me, but I realize how wrong that is. Sometimes, I find myself misgendering people and apologizing profusely for it, which is usually met with “don’t be sorry, be better." Initially, it hurt my fragile male ego to be told that, but I understand. How many times have we as black people had to defend our humanity to white people and how tiring does it get? It is just as exhausting for a trans person to constantly repeat “I identify as this, my pronouns are these, please learn them.”

After I let her know it was safe to come out to me and that she would never have any issues with me understanding and accepting who she was, I asked her what she deals with mentally, what goes on in the mind of a genderfluid person. Individually, sometimes she feels feminine, but most of the time, she feels like she’s genderless, neither masculine nor feminine. We talk often about trans-affective subjects and I’ve learned that although it’s often exhausting to keep asking researchable things, she enjoys educating me, a luxury a lot of heterosexual cisgender partners are not afforded.

guy-2607136_1920.jpg

I feel like it’s strengthened our bond even further. I’ve never dealt with a person quite like her and I feel privileged to know her, let alone be with her, in a world where she is targeted as a woman of color, as well as a member of the LGBT+ community. I feel like my role as an ally has increased and that makes me elated, because I genuinely care about her struggles, as well as the struggles of everyone else who has to deal with the stares and the aggressions and the violence and the condescension on social media and beyond. I stand for all oppressed people and believe in empowering the Black community with knowledge that will foster understanding, acceptance and tolerance.

We should all stand united, shoulder to shoulder, especially in these times where we all have targets firmly painted on our backs.

Our Voces Features Darlene Campos For Hispanic Heritage Month
darlene.jpg

Through October 15, Our Voces will be featuring posts for Hispanic Heritage Month by highlighting Latinx and Hispanic kid lit authors. This past week they interviewed Darlene Campos to get her thoughts on various things. In the article, Campos spoke on the first time she saw herself represented in literature.


‘The House on Mango Street’ by Sandra Cisneros! I read it for the first time when I was 13 years old and I could relate to the characters and the story line so well... For the first time ever in my school assigned readings, the main character was a Latina, just like me.
— Darlene Campos

the house on mango street.jpg

 

Campos also spoke on her first novel, Behind Mount Rushmore, her next project, Summer Camp Is Cancelled, and also, her hopeful future for Latinx books.


I want today’s Latinx kiddos to see themselves in main characters and be inspired to write their own stories to share with the world. I’d especially like to see graphic novels starring Latinx characters.
— Darlene Campos

You read the full article here. Campos will also be giving donating 100% of her royalties to ongoing hurricane relief through October 15.


Darlene P. Campos earned her MFA in Creative Writing from the University of Texas at El Paso. She also graduated from the University of Houston with a BA in English-Creative Writing and a minor in medicine and Social Studies. She is from Guayaquil, Ecuador, but currently lives in Houston, TX with her husband David and an adorable pet rabbit named Jake. Her website is www.darlenepcampos.com. You can support her work here.

5 Famous Authors Who Started From The Bottom
 

BY DARLENE P. CAMPOS

 

Writing, like many careers, has its risks. There is no guarantee a writer will be a bestseller or have their story made into a movie. However, many writers did not go into this field for fame and money—they write because it is their passion. While writing carries its risks, it is not impossible to become a successful writer over time. Here are five writers who started from humbled beginnings.

 

Sandra Cisneros

sandra.jpg

You may know Cisneros from her novel The House on Mango Street. In addition to this novel, Cisneros is the author of many books as well as a past winner of the prestigious MacArthur Fellowship and the Texas Medal of Arts. Cisneros’ childhood was not an easy one. She grew up in poverty, constantly relocated, and with six brothers, she often felt isolated in her own home. It was this isolation that led Cisneros to writing and she composed her first poem at just ten years old. When one of her high school teachers encouraged her to keep writing, Cisneros took the advice and was later admitted into the Iowa Writers Workshop. It was at this workshop that Cisneros discovered her writing voice. She is now considered one of the most influential writers of this generation.

 

Stephen King

king.jpg

Best known for his horror stories, Stephen King’s works have become synonymous with terror and fright. He is known for several novels including Carrie, It, and The Shining. Before King became the writer he is today, he had a difficult childhood. His father left the family when King was only two years old, making King’s mother the sole provider for him and his brother David. When King grew up, he was barely able to support himself and his wife Tabitha due to unemployment. He made some income by selling short stories to magazines, but it was not enough. It was around this time that King began drafting Carrie. He became so frustrated with the novel that he initially threw it away in the garbage, but Tabitha encouraged him to finish it. Carrie proved to be King’s big break, thanks to his wife!

 

Gabriel García Márquez

gabriel.jpg

García Márquez is best known for his novels One Hundred Years of Solitude and Love in the Time of Cholera. However, like many writers, García Márquez’s past was a struggle. Before he started writing One Hundred Years of Solitude, García Márquez had the idea for the novel, but he was unsure of how to write it down. One day, García Márquez was driving his wife and children to Acapulco for vacation, the first line popped into his head and he immediately turned the car around to head home and write the first draft. To make ends meet, García Márquez sold the family car and his wife Mercedes persuaded the local butcher, baker, and their landlord to grant them a line of credit until García Márquez finished his latest book. When One Hundred Years of Solitude was finally released, it became an international success and García Márquez officially became a respected voice in literature.

 

Toni Morrison

toni.jpg

Morrison is a former winner of the Pulitzer Prize, the Presidential Medal of Freedom and PEN/Saul Bellow Award for Achievement in American Fiction. She is famous for her novel Song of Solomon. As a child, Morrison grew up in a difficult time. When she was around two years old, her family’s landlord set fire to their home since they had been unable to pay the rent, leaving them with nothing. Morrison’s father worked several odd jobs to support the family. Later in life, Morrison married and had two sons, but divorced soon after, leaving her to care for her two young sons all by herself. When she began writing her first novel, The Bluest Eye, she woke up each morning at 4 AM to write as her sons slept. It was Song of Solomon that gave Morrison her biggest acclaim, and with this, her writing career kicked off to a supreme start.

 

Octavia E. Butler

octavia.jpg

Butler is best known for her science fiction Patternist series and the Xenogenesis series. Before she became a writer, she too came from humbled beginnings. Her father died when she was only seven years old and she was raised by her mother and grandmother in a very strict household. Butler’s mother was a maid and sometimes she accompanied her to work where they witnessed and experienced racial segregation. Butler was also extremely shy and was diagnosed with dyslexia and often bullied at school. She took comfort in reading books and when she was ten years old, she begged her mother to buy her a typewriter so she could begin writing her own books. As an adult, Butler worked several jobs to support herself and woke up every morning at 2 AM to write before a long day of work. Butler would later win the MacArthur Fellowship, becoming the first science fiction writer in history to hold this award. She would go on to win many more awards for her influential science fiction works.

 

Yes, writing has its risks, but sometimes risks are worth taking. To writers who are just getting started, remember that you are just getting started and the future holds completed dreams. These five writers got their breakthroughs despite the odds and you can, too!


Darlene P. Campos earned her MFA in Creative Writing from the University of Texas at El Paso. She also graduated from the University of Houston with a BA in English-Creative Writing and a minor in medicine and Social Studies. She is from Guayaquil, Ecuador, but currently lives in Houston, TX with her husband David and an adorable pet rabbit named Jake. Her website is www.darlenepcampos.com. You can support her work here.