Posts tagged A.A. Redd
Authors Interviewing Authors | A.A. Redd & Gregory Hedgepeth



All art is about identity in some way, because no art can be shaped without contact with self.  No pocket of the creative world can be utterly without ego—but that isn’t necessarily a negative thing. Self-awareness can be a double-edged sword, but it’s one that’s necessary to wield if an artist is interested in growth and change. No one knows that better than Gregory Hedgepeth, who works harder than almost anyone I’ve ever met to actualize his goals and dreams.

Reading his work gives you a vivid glimpse of the prolific writer and Editor-in-Chief himself. From the pages of his telescopic, genre-defying Misconceptions about Sunrises to the evocative, incandescent wordplay of his Dirty Dozen poetry series, Hedgepeth has proven himself to be a literary force to be reckoned with. Outside of his own writing, he encourages our team at Vital Narrative to realize the full potential of our ideas with relentless spirit and enthusiasm. 

One thing becomes clear when speaking to him: this is a person who not only knows who they are, but knows the trick of self-guided evolution. Here, he talks inspiration, self-expression, and the women in his life whose input matters most to him in this enlightening and uplifting interview.

A.A. Redd: What's the most surprising thing you've learned as you put out more work?

Gregory Hedgepeth: There's so much work involved in promotion! There's always a never-ending task list of things that you want your readers to know about so they can get excited.  Also, you're only as good as your last project. If you don't engage your readers consistently, it's very easy for them to forget and move on to the next thing. Also, the more you write, the more chances you're willing to take with your writing.

Image by  andreas160578  from  Pixabay

Image by andreas160578 from Pixabay


Has your growth as a writer changed any of your plans for publishing? Are you leaning toward another genre? Looking to put more work out, etc.?

I've been writing in multiple genres ever since I was a kid; poems, spoken word for the stage, short stories, novels, screenplays for short films, and I’ve even tried my hand at writing full-length features. The only difference are the technical aspects, but the creativity remains consistent from genre to genre—if you allow it. I've never wanted a certain genre to pigeonhole my goals. That's what stagnates growth as a writer, in my opinion.

I’ve never wanted a certain genre to pigeonhole my goals.
— Gregory Hedgepeth

What drives your thirst for growth as an artist?

It's uncontrollable. It's completely out of my hands. My brain is constantly running with ideas and little things here and there to improve. I'm obsessed with putting out things that I believe will express how I feel about a certain topic without literally coming out and saying it. Knowing that there are people out there who will relate and enjoy what I bring to the table also drives the need for growth. Some people feel it's necessary to keep giving the same thing over and over, so that the fans will always remain happy, but I think giving them something new each time is much more appreciated—and a lot more interesting.


Stephen King recommends designating a certain reader as your audience and writing to them. How do you approach thinking about your readers as you write? Do you think it's better to not think of them at all?

It's impossible not to think of the reader at all. I mean, we literally write for readers. That's not to say that I worry how readers will feel about everything. At the end of the day, I just want them to get lost in my work and feel a connection to it. I think that's the most you can really expect. I certainly don't designate a certain reader as my audience, because it feels too much like I'm letting someone else dictate what I should write. I always hope my girl likes it because I want her to feel like all the late nights I spend obsessing over my projects were worth it. But that's about it. I've never tried to identify a reader profile or anything. I guess if Stephen King says it works, I should probably consider it though, because he's sold like a trillion books.


Whose work has shaped you most as an artist?

Every artist I've ever been exposed to has shaped me in some form or fashion, but because I dabble in so many different genres and on so many different platforms, I don't think anyone is doing it better than Donald Glover right now. Atlanta was a smash-hit; “Awaken, My Love!” was such an interesting take on music, when he's known for doing rap; and his stuff on Community and in other media has always been on point. It's like you always know to expect something fresh from him, and even if you don't know all the details going in, you know it's going to be a dope experience because it’s coming from him. That’s where I want to be one day.

Another artist is Phonte Coleman from Little Brother. We're both North Carolina natives and he also dabbles in a few different areas—comedy, rapping, singing, etc. It's so dope to see how people can just do what feels right to them and make it happen, even if it's not what they're mainly known for.

Writing-wise, Toni Morrison's quote "if there is a book you want to read, but it hasn't been written yet, you must be the one to write it" is a mantra I've held tight to for years. It gets all the excuses out the way and makes way for something groundbreaking. And the last thing I want to consume myself with is trying to do what everyone else is doing.


What are you proudest of in terms of your writing?

Completing Misconceptions About Sunrises was honestly one of the most amazing things I've ever accomplished. Just knowing where I was as I was writing and all that I had gone through—getting that book done and out to the public is still amazing to me. Having my mom tell people that I'm an author and have several books for sale is definitely a proud moment for me as well. I've always wanted her to be proud of me and I finally feel like she is. And also, just having people ask for my thoughts and opinions when it comes to their writing. It means a lot, because it means they respect what I've accomplished thus far.

Having my mom tell people that I’m an author and have several books for sale is definitely a proud moment for me as well. I’ve always wanted her to be proud of me and I finally feel like she is.
— Gregory Hedgepeth

How do you know when you're done with a piece of writing?

It's hard to put into words, but basically when I feel like adding or subtracting a single word would take away from everything that's written. I have a tendency to over-edit and, sometimes, things are just better left alone.


Do you think some ideas are too weird to execute?

Not at all. Too many people have this need for their art to be understood. Sometimes, an idea just needs to be presented and whoever gets it, gets it. If you don't happen to grasp what the artist was trying to accomplish, maybe you just aren't the audience for it.


What gets you most excited about your future projects? Anticipated reactions, the process itself, something else?

Seeing the final product is honestly the most exciting part. Just seeing an idea go from something I wrote on a piece of paper to becoming a working manuscript, going through edits and all that is great. But the most exciting part is when the book is all finished and your name is on the cover and people are clamoring for it. Nothing beats that. Also seeing how people respond once it's out. Good or bad, I love it all as long as you read it and you felt something.

A.A. Redd’s first book of poetry, A Body Held Still By Fear & Loathing, can be purchased here. You can purchase Gregory Hedgepeth’s entire backlog (Misconceptions About Sunrises, The Year That Answered and A Collection Of Echoes) by clicking here.

VN Announces Fall Schedule



Vital Narrative Press announced release dates for books by three brand-new authors, while another looks to deliver new editions of previously-released work.

Leading the way is Gregory Hedgepeth, finally completing the transition from his previous GHDOS/Garvey Hemisphere moniker by revealing three new editions during the month of October. Misconceptions About Sunrises, his first book of poetry, and A Collection of Echoes, his first novel, will both re-release editions on October 14th after a self-imposed shelving back in the spring. His second book of poetry, The Year That Answered, will receive its newest iteration just two weeks later on October 28th. Sandwiched between those releases will be two new books by first-time authors. On October 21st, writer A.A. Redd will release A Body Held Still By Fear & Loathing, an incredible collection of over thirty poems along with YA author D.A. Alston who will release her first novel about four teenage girls who become superheroes called The Unlikely Tale of the Royal Elite Squad. And on November 18th, Chicago native Alverne Ball will release crime drama Only The Holy Remain.

I’ve always wanted to make sure that each author on the roster could bring something different to the table and these releases will be proof of that.

Editor-in-Chief Gregory Hedgepeth spoke highly of each release that will be hitting online shelves soon. "No one is a bigger fan of these authors than me. I read their words on a very consistent basis. And in order for me to do that, I have to be a fan of the work they present. I've always wanted to make sure that each author on the VN roster could bring something different to the table and these books will be proof of that."

Check out the full schedule below:

October 14

  • Gregory Hedgepeth - Misconceptions About Sunrises

  • Gregory Hedgepeth - A Collection of Echoes

October 21

  • A.A. Redd - A Body Held Still By Fear & Loathing

  • D.A. Alston - The Unlikely Tale of the Royal Elite Squad

October 28

  • Gregory Hedgepeth - The Year That Answered

November 18

  • Alverne Ball - Only The Holy Remain

About Vital Narrative Press: Since 2014, we have led an effort to change the literary landscape for creators of color. In this new era of publishing, we plan to lead the way for our authors to release authentic projects and build a substantial platform that will lead a new generation of Black and Brown writers. We plan to innovate the way our characters, storylines and settings are presented by elevating our narratives and helping the African-American genre evolve. While our catalog is created and curated by people of color, our stories are meant to be enjoyed by everyone.