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Authors Interviewing Authors | Darlene & D.A.

BY: D.A. ALSTON

 
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DA: Your second novel is about to be released to the public - what does that mean to you?

DC: It feels surreal to have a second book! Ever since I was a kid, I just wanted to have a book published. Having two out soon feels like my dream of being a published novelist is still going strong.

DA: As a creative sometimes we go through the highs and lows. How do you maneuver through the constant worldwinds of life and still create?

DC: That’s a great question. The thing about life is that it can be thwarted at any time. We have a daily routine, but sudden changes come up when we least expect it. It’s important to remain level headed during a whirlwind to make good decisions. However, it’s also okay to have a breakdown every once in a while. Writing is an awesome way to jot feelings down and just let it all out.  Being a novelist with a publishing house contract means projects still need to get done, so even when my life is extremely stressful, I have to keep on writing. A plus side about writing is that you can make your own world where everything goes your way – I think that is why I’ve always used writing as a coping mechanism.


I’ve always used writing as a coping mechanism.
— Darlene P. Campos
 

DA: What has been one of your highlights of your writing career thus far?

DC: A lot has happened in my career ever since my first novel, Behind Mount Rushmore, came out last year. I’ve had interviews, won an award, landed a spot on a literary radio show, etc. But out of all these cool accomplishments, the best moment was when a reader reached out to me on Twitter to tell me, “Behind Mount Rushmore is my new favorite book.” That moment overshadows everything else.  

DA: If you weren't writing, what do you think you would be doing?

DC: I’d be wishing I was a writer! I can’t imagine being anything else.

DA: With this second book, what do you help people gain from it?

DC: I really hope the perspective on those who are deaf changes for readers after they encounter this book. There’s this huge, skewed idea that those with different abilities can’t do anything and that’s completely NOT the case. My day job is in education and I’ve worked with students who deaf, blind, etc. and their work has always been equal to or better than students without these different abilities. My father has been deaf in one ear since childhood and he’s a doctor. That’s the most important lesson of the book - just because someone is differently abled, it doesn’t mean that person is lesser abled in any way.

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DA: What's a normal writing session like for you? How do you prepare? What usually happens?

DC: When I’m not distracted by the internet (hah!), my writing is pretty productive. For novels, I usually start by outlining the characters rather than the plot. It helps to know what a character is like, because I can figure out how the character would act in a certain situation. That makes the plot a bit easier to write. For example, readers familiar with Behind Mount Rushmore can guess very well how Jay Eagle Thunderclap would act if he locked his keys in his truck, because they already know his colorful personality.


My biggest goal is to quit my day job and write full time.
— Darlene P. Campos
 

DA: This book is geared towards young adults. What books were influential for you at that age?

DC: There were many, but the ones I can remember off the top of my head: Buried Onions by Gary Soto (an author who is very important in Summer Camp Is Cancelled by the way), To Kill a Mockingbird by Harper Lee, The House on Mango Street by Sandra Cisneros, Mick Harte Was Here by Barbara Park, The Outsiders by S.E. Hinton and pretty much everything in R.L. Stine's Goosebumps series.


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DA: What was the most difficult part about writing this book?

DC: The hardest part was the research on Catholicism. I’m not Catholic nor was I raised Catholic, so my knowledge of Catholicism was basically nothing when I started writing. However, I interviewed several practicing, lapsed, and former Catholics who provided me with tons and tons of knowledge. I visited Catholic churches, read lots of books and watched many videos starring priests sharing their knowledge. By the time I finished researching, I felt like I could probably be confirmed as a Catholic myself!

DA: What are some of your goals for your writing career?

DC: For now, my biggest goal is to quit my day job and write full time. I know it’s super hard to get to this point, but a lot of writers have gotten there and I’m sure I can as well if I work hard enough to expand my career. Another goal is to have a movie produced. I’ve already written one film script, so I have a story set for whoever wants to pick it up.

DA: As a woman of color, how important is it to tell stories from your point of view?

DC: To be honest, I feel that all stories are important and I don’t think that my point of view is any more or less important than another person’s point of view. It’s true that certain people have greater credibility for certain subjects, though, yet everyone has a right to their opinions and feelings, even if we don’t agree. I’m sure there are some screwed up people out there who think my perspective on certain subjects doesn’t count or doesn’t matter only because I’m a woman, a minority and/or both. And whoever those people are, I have just three words for them: go to hell.


Darlene P. Campos's second novel, Summer Camp Is Cancelled, is available now for pre-order and will release on August 3rd. Her first novel, Behind Mount Rushmore, can be purchased here. You can purchase D.A. Alston's first novel, The Unlikely Tale of the Royal Elite Squad, by clicking here.

 
Authors Interviewing Authors | Cheryl Dyer & Tony Bowers
 

BY CHERYL DYER

 

This interview was originally posted on ChicagoNow.


Tony Bowers and I met through social media, a common interest in writing and mutual friends, but our greatest link is that we both grew up on Chicago’s infamous 79th Street. The Nine was the stomping ground of my hot-comb-candy-store-Reebok years, so when Tony Bowers’ collection of short stories, On The Nine, first debuted I not only had to read it, but I also had to meet the brother who captured the gritty landscape in a way that made me miss the people and places that grew me up. 

Today, I’m interviewing Tony for the Authors Interviewing Authors series for Vital Narrative Press. In it, he talks about growing up around 79th Street, the current state of things in Chicago, his upcoming work, and even Lil' Chano from 79th.    


Cheryl Dyer: So what part of 79th Street do you hail from?

Tony Bowers: Originally, we are talking Grand Crossing, so east of Cottage Grove. We started out on 78th and then moved to 79th and Ingleside. Then, we moved further east to 79th and Clyde.

 

Oh, okay. I’m from way over East. I’m from 79th & Muskegoneast of everything, east of Jeffery, east of Yates. What was life like for you then?

It was pretty typical. I mean, it was the inner city, so there was some rough spots, but mainly we are talking about 79th Street over by the East of the Ryan [Motel], so there would be fights and everything that I would see, but it wasn’t anything out of the ordinary. I had a typical childhood. I didn’t get into any trouble. My father used to send me to the store with notes for cigarettes or my mom would send me up to 79th Street to get my father out of the pool hall across the street from East of the Ryan. We used to get chicken wings from this place called Captain’s Table. So it was typical stuff. Nothing out of the ordinary.

I lived up the street from Grand Crossing Park, so I spent a lot of time outside playing baseball and football with my friends, riding our bikes. I thought the park was so beautiful. It really impacted me, because I didn’t feel as if living in the city meant anything negative.

Another favorite spot for me was on 79th and King Drive, the Whitney Young Library. I would go there every Saturday, spend two or three hours in the stacks, reading books or going to the audio-visual room listening to old records. It started there, this love of writing. It was so special when I got a chance to read from On The Nine there last year.

Another favorite thing was the Rhodes Theater. We would go there and watch the same movies over and over again on Saturday afternoons.

 

Nice. I remember the Rhodes Theater. They used to get the movies all late! My sister and I used to have a joke: “Everything comes to the Rhodes... eventually!” So, in writing the collection, did you learn anything about yourself? Your craft? Were there new realizations about people and places that served as inspiration?

I did discover that my mommy and daddy issues were deeper than I thought. Writing the collection helped me finally release. On the craft side, I learned how important pacing is. I like easy and fluid reads that move. I like to start out stories with the action in flux. As far as realizations, it’s always new. When I write about real places or with real folks in mind, I always see them in new lights.

 

So, if you had to choose, is there one piece from the collection that you would say really captures the essence of life On the Nine?

I would say “Darcy’s Garden.” It shows the mix of 79th and life in Chicago, I believe. A tragedy happens, and through dealing with that, something beautiful and positive happens.  There is a contrast. Beautiful flowers and middle class homes and broken concrete and loud city buses that spew black soot. Warmth and kindness and spent bullet casings. That, to me, is Chicago. The contrast. That's life. Look at the title of the first story, "Peppermint and Gunpowder." I think these ideas of gradation are throughout the collection, but come together in the last story.

 

What are your thoughts about the state of things in Chicago today?

It’s challenging, but it has always been so. I never want to be a revisionist and say everything was perfect back in the day. It is just further down the road now. The same issues exist. I love my city and I am not going to turn my back on it. I feel that as we go, so will the rest of the country. As we deal with poverty, lack of quality education and access to jobs in the inner city, that will serve as a blueprint for the rest of the nation, but we have an uphill battle.

 

How do we tackle it? Is there an easy answer that we’re overlooking? How can we heal our city?

No easy answer. But I believe it starts with us as individuals on many fronts. We need those day-to-day interactions, but we need to take control of the political process, then force the system to deal with the real issues. Like, why is it that the only time there is real investment is when the majority population gets interested in a community? We have TIF funds building DePaul University, a $100 million stadium, while Roseland looks like a wasteland. Englewood has gotten a facelift, but only after it was identified as desirable by those with money and power. We need to handle this. We have put up with the hypocrisy for so long, it has come to a head. That’s why I believe things seem so bad right now.

 

What do you think of our little brother, Lil' Chano from 79th? (Chicago’s Chance the Rapper donated $1 million to Chicago Public Schools).

I love his spirit. The fact that he put up his own money as a gesture was amazing. That’s what I mean when I say individuals have to step up where they can. But, we then have to organize and have a platform where we are seeking real results. We have to get rid of Rauner. We have to hold Rahm accountable. Too much passing the buck.

 

True indeed.

For generations, politicians robbed this city and made our tax dollars their own, like a piggy bank. We should be able to do all the things we need without raising taxes on grocery bags and pop. It's bullshit.

 

What’s up next for you creatively?

I am working on a novel, A Dollar Short.

 

Where does A Dollar Short take us? What’s it about?

Transformation. Can a person really change? This brother Jimmy is having a hard time with that. He has lost the love of his life and never lived up to his potential because of his destructive ways. He understands he must change, but it’s kicking his ass.

 

Looking forward to it. Does it take place in any familiar places?

Minneapolis and all over Chicago. 79th Street will definitely be all up in it.


A tragedy happens, and through dealing with that, something beautiful and positive happens.  There is a contrast. Beautiful flowers and middle class homes and broken concrete and loud city buses that spew black soot. Warmth and kindness and spent bullet casings. That, to me, is Chicago.
— Tony Bowers

So, as you are writing this new novel, do you have a certain process you observe? A playlist? Libations? Day writer? Night writer? Favorite writing space?

I try to be fluid. I write when I can. It’s hard during the semesters [since I'm also a college professor], but I still get it in. It can be day or night. I like Robert Glasper on the stereo. As far as libations, it depends on the time of day. I’m a brown liquor dude, so Crown Royal at 10 A.M. doesn’t work too well [Laughs].

 

So, last question. It’s New Year’s Eve and Tony B from 79th is having a party. You can invite five of your celebrity friends (actors, singers/rappers, athletes, writers, etc). Tell me who’s invited.

Denzel, Ava Duvernay, Nas, Jesse Williams and Toni Morrison. They have created or spoken words that have really moved the needle on the issues we spoke of earlier. They seem to tell it like it is. I love the merge of creativity and social justice. Deep wisdom from them all. I would also want Baldwin, Obama, Geoffrey Canada and Angela Davis there too, but you said five.

Authors Interviewing Authors | The Habitual Wordsmith T.J. Love & D.A. Alston
 

BY THE HABITUAL WORDSMITH T.J. LOVE

 

The Habitual Wordsmith T.J. Love: Let's start with your origins. Where are you from originally?

D.A. Alston: I hail from sunny San Diego. But now I reside in Atlanta.

 

Word. How'd you end up on the other side of the country?

Well, my grandfather started a church in California. It grew and became very popular in the city, but then he told us that God told him to move to Georgia to start a church there. Mind you, we had zero family there. But we stepped out on faith and God blessed us. Five buildings later, we're doing well and now own a movie theater as well.

 

That's really dope. Getting y'all Wizard Kelly on. I've been there thoughmoving across the country on faith. It's definitely harrowing. How has that influenced your work?

Well, I rely on my family a lot and my faith is such a huge part of who I am, in general. I try to stay pretty balanced and center myself in the midst of the craziness. So, most of my work normally has that same underlying tone towards having faith.

 

I feel that. I feel like you don't see a lot of that in Black writing. How does your faith shape you as a person? Why has it been so important to you?

As a person, it has gotten me through some of the hardest points in my life. It has helped me smile when I wanted to cry. It pushed me forward when I wanted to give up. It covered me when I wanted to go wild. It's just always been a positive force in my life.

Image by Couleur from Pixabay

Image by Couleur from Pixabay

 

I feel that. So that being said, let me ask you somethinga lot of pro-black, “woke” folk are claiming that Christianity is the religion of the oppressor. Where do you think this idea comes from and does this affect you as a Christian at all?

Honestly, I don't concern myself with ideologies and claims from other people. I know what God means to me and what He's personally done for me in my life. That's all I stand on. I'm not living for the approval of anyone else.


I don’t concern myself with ideologies and claims from other people... I’m not living for the approval of anyone else.
— D.A. Alston

I hear you. I love people with principles. So talk to me about The Unlikely Tale of the Royal Elite Squad. What was the inspiration for that?

Well, it didn't even start off as a book idea. I was sitting at IHOP with my mother. And, because I also draw, we've been talking about creating a coloring book for years. On this particular day, I was like “maybe I'll finally do that.” So, I'm talking the idea over with her, and I was like “what if I do superheroes that are all women? All with different nationalities?” Then, I was like “what if I put a storyline to it?” And it just snowballed into the creation that it is now.

 

That's really uniquealmost sounds like your own personal superhero origin story. Representation is a beautiful thing, especially in a world where the main protagonists have always been beefed-up white dudes. So what's next for D.A. Alston?

Representation is major. For women and people of color. Currently, I'm working on the second installment of Royal Elite Squad. I just really started writing it and I'm really excited. I'm just trying to focus and knock this out. I also have a few speaking engagements coming soon. The ultimate goal is to get a table at DragonCon to present my book.


Representation is major.
— D.A. Alston

Things seem to be coming together for youa theme for us at Vital Narrative. What's DragonCon?

That's why I love our team. DragonCon is the Atlanta version of Comic-Con. It's the epitome of a lituation.

 

‘Lituation' just made me feel mad old. So it's basically a gathering of my fellow geeks, cosplaying as their favorite superheroes? How dope would it be one day to see Royal Elite Squad cosplayers?

That's the goal, though! Seeing people dressing up as characters from my book. That's the dream.

Baby steps, right? First DragonCon, then the world. I'm rooting for you.

Thank you sir. I'm excited.

Of course. Keep making us proud and keep us updated.


T.J.'s first book of poetry, Speaking In Tongues: Love In Five Languages, can be purchased here. You can purchase The Unlikely Tale of the Royal Elite Squad by D.A. Alston by clicking here.

Authors Interviewing Authors | A.A. Redd & Gregory Hedgepeth
 

BY A.A. REDD

 

All art is about identity in some way, because no art can be shaped without contact with self.  No pocket of the creative world can be utterly without ego—but that isn’t necessarily a negative thing. Self-awareness can be a double-edged sword, but it’s one that’s necessary to wield if an artist is interested in growth and change. No one knows that better than Gregory Hedgepeth, who works harder than almost anyone I’ve ever met to actualize his goals and dreams.

Reading his work gives you a vivid glimpse of the prolific writer and Editor-in-Chief himself. From the pages of his telescopic, genre-defying Misconceptions about Sunrises to the evocative, incandescent wordplay of his Dirty Dozen poetry series, Hedgepeth has proven himself to be a literary force to be reckoned with. Outside of his own writing, he encourages our team at Vital Narrative to realize the full potential of our ideas with relentless spirit and enthusiasm. 

One thing becomes clear when speaking to him: this is a person who not only knows who they are, but knows the trick of self-guided evolution. Here, he talks inspiration, self-expression, and the women in his life whose input matters most to him in this enlightening and uplifting interview.


A.A. Redd: What's the most surprising thing you've learned as you put out more work?

Gregory Hedgepeth: There's so much work involved in promotion! There's always a never-ending task list of things that you want your readers to know about so they can get excited.  Also, you're only as good as your last project. If you don't engage your readers consistently, it's very easy for them to forget and move on to the next thing. Also, the more you write, the more chances you're willing to take with your writing.

Image by andreas160578 from Pixabay

Image by andreas160578 from Pixabay

 

Has your growth as a writer changed any of your plans for publishing? Are you leaning toward another genre? Looking to put more work out, etc.?

I've been writing in multiple genres ever since I was a kid; poems, spoken word for the stage, short stories, novels, screenplays for short films, and I’ve even tried my hand at writing full-length features. The only difference are the technical aspects, but the creativity remains consistent from genre to genre—if you allow it. I've never wanted a certain genre to pigeonhole my goals. That's what stagnates growth as a writer, in my opinion.


I’ve never wanted a certain genre to pigeonhole my goals.
— Gregory Hedgepeth

What drives your thirst for growth as an artist?

It's uncontrollable. It's completely out of my hands. My brain is constantly running with ideas and little things here and there to improve. I'm obsessed with putting out things that I believe will express how I feel about a certain topic without literally coming out and saying it. Knowing that there are people out there who will relate and enjoy what I bring to the table also drives the need for growth. Some people feel it's necessary to keep giving the same thing over and over, so that the fans will always remain happy, but I think giving them something new each time is much more appreciated—and a lot more interesting.

 

Stephen King recommends designating a certain reader as your audience and writing to them. How do you approach thinking about your readers as you write? Do you think it's better to not think of them at all?

It's impossible not to think of the reader at all. I mean, we literally write for readers. That's not to say that I worry how readers will feel about everything. At the end of the day, I just want them to get lost in my work and feel a connection to it. I think that's the most you can really expect. I certainly don't designate a certain reader as my audience, because it feels too much like I'm letting someone else dictate what I should write. I always hope my girl likes it because I want her to feel like all the late nights I spend obsessing over my projects were worth it. But that's about it. I've never tried to identify a reader profile or anything. I guess if Stephen King says it works, I should probably consider it though, because he's sold like a trillion books.

 

Whose work has shaped you most as an artist?

Every artist I've ever been exposed to has shaped me in some form or fashion, but because I dabble in so many different genres and on so many different platforms, I don't think anyone is doing it better than Donald Glover right now. Atlanta was a smash-hit; “Awaken, My Love!” was such an interesting take on music, when he's known for doing rap; and his stuff on Community and in other media has always been on point. It's like you always know to expect something fresh from him, and even if you don't know all the details going in, you know it's going to be a dope experience because it’s coming from him. That’s where I want to be one day.

Another artist is Phonte Coleman from Little Brother. We're both North Carolina natives and he also dabbles in a few different areas—comedy, rapping, singing, etc. It's so dope to see how people can just do what feels right to them and make it happen, even if it's not what they're mainly known for.

Writing-wise, Toni Morrison's quote "if there is a book you want to read, but it hasn't been written yet, you must be the one to write it" is a mantra I've held tight to for years. It gets all the excuses out the way and makes way for something groundbreaking. And the last thing I want to consume myself with is trying to do what everyone else is doing.

 

What are you proudest of in terms of your writing?

Completing Misconceptions About Sunrises was honestly one of the most amazing things I've ever accomplished. Just knowing where I was as I was writing and all that I had gone through—getting that book done and out to the public is still amazing to me. Having my mom tell people that I'm an author and have several books for sale is definitely a proud moment for me as well. I've always wanted her to be proud of me and I finally feel like she is. And also, just having people ask for my thoughts and opinions when it comes to their writing. It means a lot, because it means they respect what I've accomplished thus far.


Having my mom tell people that I’m an author and have several books for sale is definitely a proud moment for me as well. I’ve always wanted her to be proud of me and I finally feel like she is.
— Gregory Hedgepeth

How do you know when you're done with a piece of writing?

It's hard to put into words, but basically when I feel like adding or subtracting a single word would take away from everything that's written. I have a tendency to over-edit and, sometimes, things are just better left alone.

 

Do you think some ideas are too weird to execute?

Not at all. Too many people have this need for their art to be understood. Sometimes, an idea just needs to be presented and whoever gets it, gets it. If you don't happen to grasp what the artist was trying to accomplish, maybe you just aren't the audience for it.

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What gets you most excited about your future projects? Anticipated reactions, the process itself, something else?

Seeing the final product is honestly the most exciting part. Just seeing an idea go from something I wrote on a piece of paper to becoming a working manuscript, going through edits and all that is great. But the most exciting part is when the book is all finished and your name is on the cover and people are clamoring for it. Nothing beats that. Also seeing how people respond once it's out. Good or bad, I love it all as long as you read it and you felt something.


A.A. Redd’s first book of poetry, A Body Held Still By Fear & Loathing, can be purchased here. You can purchase Gregory Hedgepeth’s entire backlog (Misconceptions About Sunrises, The Year That Answered and A Collection Of Echoes) by clicking here.

Authors Interviewing Authors | Tony Bowers & The Habitual Wordsmith T.J. Love
 

BY TONY BOWERS

 

The Habitual Wordsmith T.J. Love knows how to create words that evoke real emotion. I consider this to be a superpower. This amazing ability is what the world has always needed, so I was excited to spend time chopping it up with my literary brother. I have been a fan of T.J’s even before his provocative poetry collection, Speaking in Tongues: Love in Five Languages. From his bombastic SoundCloud recordings to his impromptu Facebook musings, this brother knows how to move the needle.


Tony Bowers: How long have you been writing and performing poetry?

The Habitual Wordsmith: I've been writing pretty much all my life, but started performing when I was 17.

 

So you got years in the game. I started writing back when I was 9. My first love was Langston Hughes. He inspired me to write. Who was your first love of poetry?

Word, Langston was there. Paul Laurence Dunbar, too. If I had to pick a first love though, man... as a kid, probably Maya Angelou. She was always so evocative and had such depth in simple lines. I Know Why The Caged Bird Sings was such an intimate read and gave so much insight into her life, it deepened my appreciation for her and her work. As I got older, I definitely dug Ainsley Burrows as my first spoken word love.

Photo credit: Stephen Parker/Alamy Stock Photo

Photo credit: Stephen Parker/Alamy Stock Photo

 

We need that inspiration to guide us. Who are your current poetry/literary crushes?

I've really been digging on Lin-Manuel Miranda. He wrote Hamilton and the songs from Moana, but he's so damn lyrical and his wordplay is heads and shoulders beyond anything I've ever seen before. Like I'm obsessed with the Hamilton soundtrack, how effortlessly he spins these lyrical tales through hip-hop and musical theatre. It's so dope. Warsan Shire is another one. I'm trying to familiarize myself with her work more. She echoes of that simplistic beauty I found in Maya all those years ago.

 

That's interesting your connection to Miranda and musicalsare there any non-literary art forms that inspire you? Abstract art does it for me.

I love abstract art. I've always been a fan of art that doesn't have a set particular message, open-interpretation stuff. I usually try to say something in my work, yet I want my readers/listeners to extrapolate from it what they will and it always inspires me to have conversations of their reasoning and rationale. I also dig still life photography. Like I've walked the Brooklyn Bridge a million times, but the perfectly captured image of it will get me emotional because it reminds me of home.

 

Amen. Spoken like a true artist. What's your next challenge?

Right now, I'm in a rotation of hosts for an open mic session out here in Phoenix called Cultiv8n Culture and that's been really dope, something new and exciting. I was just on a radio show out here called 'Off The Cuff' on RadioSupa.com where I spoke about Speaking In Tongues and my upbringing in life and in poetry. I also was just featured on Indiana hip-hop artist Con Rome's mixtape. Individually, my next project is to finish my ninth spoken word album. I have the pieces written, I just have to record them. Outside of that, just visualizing my next book. But that won't be till next year, and with the Women’s Initiative coming up in 2019, I've got a little time.

 

Wow, you’ve got a full plate. That's what's up. Last questionwhich do you prefer spoken or written poetry and why?

Damn, that's a great question. I gotta take both honestly. I know I suck for that, but they are both equally important to me. Some people are audio-intensive. Some are visual. One without the other is deprivation. Spoken word has an attraction because delivery and cadence are fifty percent of the entertainment value, while written poetry has to have a certain visual aesthetic, whether in word choice or placement or structure, in order to be universally appealing. There are certain niches for both so they are both powerful in their own rights.

 

No, that's great. Both is a great answer. Great break down on the why. I appreciate your time. Great and thoughtful answers. Thanks Brother. Keep slanging them words.

No doubt man, thanks for the time. Will do, most def.


You can purchase Tony Bowers’ first book, On The Nine, by clicking here. You can order Speaking in Tongues: Love in Five Languages by The Habitual Wordsmith T.J. Love by clicking here.

Authors Interviewing Authors | Darlene P. Campos & Cheryl Dyer
 

BY DARLENE P. CAMPOS

 

Darlene P. Campos: What inspired you to write your first book?

Cheryl Dyer: Well, my first book is still in the works. It’s collection of short stories, so I was inspired by a lot of things to write this book. A lot of the stories are about personal awakenings, that coming of age that happens at various ages and phases of life. I wanted to communicate these epiphanies. 

 

Are you working on anything right now?

I am currently still working on the collection. I am workshopping a few of the stories at the Chicago Writers Studio. I also write a blog called “Who’s Invited?” that is featured on ChicagoNow, Chicago Tribune’s blog site.

 

Do you have a writing playlist? Who are your favorite musical artists to listen to while you write?

I don't have a writing playlist. I actually prefer quiet when I write, I'd spend too much time singing along with the songs and not enough time writing. I will however immerse myself in music that creates a mood and puts me in a headspace. I’ll listen to it during times when I'm not writing. I'll listen to it in the car, in the shower, on a run, etc. 

 

Do you have a writing drink/food of choice?

I love iced lemon water in a bulbous red wine glass. 

 

If you could have dinner with any of the characters in your first book, who would it be and why?

None of them. They have been living in my head so long that I need a break! But I think I would like to take Jordan from “The Melting of Armor” out for lunch.

 

If you had to build a piece of IKEA furniture with any one of your characters, who would it be?

I prefer doing it myself unless my husband is around. He has all the fancy tools.

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Do you outline your works first or do you just start writing away?

Depends. If there’s something that I just have to get out, I’ll just write. But generally, I outline the stories first to see where the story is going and to try make sure that it gets there, but of course things change so much from outline to finished work. 

 

If you had the chance to visit with your favorite writer, dead or alive, who would you pick and how would you spend your day with them?

I'd sit and talk with Zora Neale Hurston and laugh with Langston Hughes. I'd want to have coffee or tea with Toni Morrison and Alice Walker. 

 

Stephen King once said you have to kill your darlings—how many darlings have you killed so far? How do you decide who lives and who dies?

I haven't kept track of the death toll, but as a hardcore Game of Thrones fan, I do understand the concept! The characters that meet their demise on the page do so because it is their time, whether I like it or not.


Darlene P. Campos earned her MFA in Creative Writing from the University of Texas at El Paso. She also graduated from the University of Houston with a BA in English-Creative Writing and a minor in medicine and Social Studies. She is from Guayaquil, Ecuador, but currently lives in Houston, TX with her husband David and an adorable pet rabbit named Jake. Her website is www.darlenepcampos.com. You can support her work here.