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The Key to Manifesting The Life You Desire
 

BY DANIELLE ELAINE

 

What is your spiritual background? 

I was born into a Christian family. I come from a long line of preachers and ministers. 

 

Do you view writing as a kind of spiritual practice?

Writing is absolutely a form of spiritual practice, because creative energy is the most powerful energy we have. I believe all art forms are a method of spiritual practice because what manifests comes from an ethereal place. Yet, somehow, we all find a piece of ourselves in others art, writing, music, etc. Creating is cathartic - it offers a healing release of things that need to be purged, or things that need to be birthed. 

Image by Zoltan Matuska from Pixabay

Image by Zoltan Matuska from Pixabay

 

What spiritual disciplines do you connect with most?

I don't know if there is a specific discipline I could name. As I've been working with my ancestors more and digging deeper into my lineage, I've discovered there are many things that resonate with the ways that feel most comfortable in expressing and building my connection with The Creator and my “tribe on the other side.” From Reiki, Herbalism, some hoodoo and shamanism, I ask for guidance and do what feels right. 

 

What experiences have most shaped your spiritual life?

I would say my spiritual life has been consciously shaped by the hardships I’ve faced. Being homeless, hopeless and broke, and seeing others living with supposed ease. It made me say, “Ok, I know better is out there and it's possible, but why isn't it happening for me?” That question led me to seek God on a deeper level, because I figured there was obviously something I was missing, and I needed to fine-tune my antennas to better navigate life. 

 

How can we deepen our connection to spirituality?

The best way to deepen your connection to spirituality is daily prayer and meditation. Daily prayer and meditation are going to help you connect with your own inner voice and intuition to create a clearer channel between you and your Creator. You will also be able to build a more authentic connection with yourself, which will allow you to release social constructs that you've been conditioned with. Once you release these things, you will be able to live more authentically and freely. 

 

What can I do or learn right now to aid my spiritual growth, evolution, and development?

Meditation, meditation, meditation. Knowing yourself, your desires, your dreams, likes and dislikes outside of social conditioning and the need for social validation will free you in ways you wouldn't imagine. When you know yourself and your inner self, you can sharpen your discernment. And when you're discerning, you can save yourself from a lot of inner and outer low-vibrational influence. 

 

How would you help someone with my manifesting?

Some of my recommendations regarding manifesting would be to use your creative energy or sexual energy. Within yourself or with a partner, you can set an intention, and then masturbate while holding that intention, until you climax and release the energy. The key to manifestation is incorporating all five senses into your desire. What does it look like? What does it feel, smell, sound and taste like? The more detailed you can be, the better. When your desire is in alignment with what you say, do, feel and think, you can clearly draw it into your reality. However, if you are confused or sending mixed signals, then you will get just that. 

 
The key to manifestation is incorporating all five senses into your desire. What does it look like? What does it feel, smell, sound and taste like? The more detailed you can be, the better.
— Danielle Elaine
 

What do you do when you feel scared or overwhelmed by spiritual guidance?

I do not fear the spiritual realm, because I know and trust that I am always protected and that things are always working for my greatest good in all ways. However, journaling, downloads, taking baths, grounding practices and meditation help me work things out when I am feeling overwhelmed by spiritual guidance. I am very honest in my spiritual practice with my team and I speak to them in prayer and aloud throughout the day the same way I would anyone else. 

 

How would you handle a situation where you’re growing spiritually, but your friend or partner isn’t?

This can be tricky, because all things work in divine time and order. And in some cases, one partner might be on the path of evolution and ascension and can act as a catalyst for the other person to begin their journey. However, if one is growing and shedding and becoming their highest and best self, naturally the relationship will become uncomfortable for each person, because they are no longer aligned with one another. When you find yourself out of alignment with people, places and things, it is always best to move on from them willingly before spirit forces you. 

 

How do you know if you’re hearing the truth in meditation or If it’s just your own ego speaking to you?

Discernment takes practice. I always recommend beginners start with affirmations they can repeat to focus their mind. It's hard to describe, but eventually, you just know. And in those moments you are questioning yourself, ask for more clarity or a more concrete answer. A lot of the questioning and second guessing we subject ourselves to is rooted in feeling that we are not worthy or deserving of the things desire. Once you kill that lie - the voice telling you that you're not good enough or that good things can't happen to you - you will begin to see and feel a change. 

 

How can a person strengthen and develop their intuitive gifts?

Intuitive gifts can be strengthened through meditation and prayer daily, of course. Getting more acquainted with your inner self, but also in those moments you hear last minute advice, practice taking it. Think about the times when you're about to walk out the door and something tells you to grab an umbrella, but you choose not to because you checked the weather and it said nothing about rain. But then you leave and it rains while you’re out. Those are the moments your intuition - your higher knowing - is speaking to you, trying to help you navigate life. Just listen. Silence your mind, silence logic and reason, and just trust it. 

Image by Cindy Lever from Pixabay

Image by Cindy Lever from Pixabay

 

Is suffering a necessary part of the human condition?

I don’t believe so. I think it is a condition we have been convinced is necessary, because we have been socialized to think that good things are only earned or “deserved” through strenuous effort and labor, especially melanated people. I believe that life has its highs and lows. However, the lows do not have to be seen or felt as catastrophic occurrences if we shift our perspectives, free ourselves from social constructs, and listen the first time The Creator and Our Tribe on the Other Side tells us something. 

 

Does hardship make a person stronger? If so, under what conditions and at what point is it too much hardship? If not, what makes a person stronger?

I do not think hardship making one stronger is a concrete concept in itself. I think that yes, it can make one stronger at times, if someone is able to be subjective and learn from their mistakes, take accountability and responsibility for their actions. I do not think there are any set conditions or a one-size-fits-all situations though, because we all have different thresholds of endurance. I do believe overall that one's will is the only thing that can truly shape their strength. What are you willing to overcome? What are you willing to work for? What are you willing to change and let go of to become who you want to be? What are you willing to do or sacrifice to get where you want to go?

 

What is the best way for a person to attain happiness?

The best way for someone to attain happiness is to decide they want to be happy.  Once you make the choice, you just have to fine tune each moment in your reality to fit what you’ve decided happiness is to you. Get detailed and specific about what your version of happiness is, down to the people, experiences, places and be sure to include all your five senses as you design your new happy reality. Once you've got that mapped out, denounce and stay away from everything that doesn't look like the world you've created. 

Image by Jackson David from Pixabay

Image by Jackson David from Pixabay

 

From what or whom do you draw the strength to endure a difficult situation?

I would have to say myself and the God within. I’ve been through a lot, so I know that hard times come again - it's only for a time and will not last. I also know that I am not alone through hard times and that everything is only for my greatest and highest good. I am not the type to focus on the problem, but a solution. Sometimes, the solution is taking my hands off the wheel and trusting that I am taken care of always in all ways. 

 

What is something you consider to be a great personal success? Why was it so significant?

I never stop to think about my accomplishments, so it's hard to say. There is nothing in particular that stands out right now. I think a part of that is that my goals are constantly changing. I've just always set a goal, reached it and moved on to the next thing. 

 

What is the key to maintaining balance in your life?

The key to maintaining balance in my life is mom breaks. Taking time just for me and absolutely keeping a schedule, writing things down and having a general routine. 

 

Can we ever believe someone when they say their intentions are different from their actions? 

I think this best assessed case by case, because there are instances where people genuinely have trouble communicating and interacting with others, so their intentions may be lost in translation. However, if what someone says is consistently misaligned with what they do, and you've tried to communicate with them to no avail, do not subject yourself to the confusion any longer. 

 

Where does your self-worth come from?

My self-worth comes from my connection to the ethers. Knowing I am an ancient cosmic being, a child of The Creator. In those human moments where I begin to compare or get social media envy, I remind myself about the things I truly value and want outside of social optics, perceptions and validation. 

 

If you could teach the entire world just one concept, what would it be?

Probably to just mind your business. When you focus on becoming your greatest and highest self, that increase in your frequency reverberates and changes those around you. Yes, step in to save an elderly person or speak up when you see an injustice. However, there is no reason to pass judgement on anyone for doing something you don't agree with. What you give your energy and attention to multiplies, so focus on yourself. 

Image by Gino Crescoli from Pixabay

Image by Gino Crescoli from Pixabay

 

What do you feel most grateful for in your life ?

I am most grateful for my growth and healing. The changes I have made within have profoundly impacted my family and I'm grateful for the ability to directly affect and curate my reality as I desire.


Hailing from New Jersey, Danielle Elaine is prolific writer with a love affair for words. She is a self-published author of the book, Love Letters I Never Sent. Although she specializes in a wide range of poetry, she has gained experience writing for print and online publications such as KONTROL and KONTROL Girl Magazine, MommyNoire, MadameNoire and more. On a quest to pursue a passionate and purpose driven life, Danielle found herself on a journey of self-healing.

Through her rediscovery of crystals, she found herself following universal breadcrumbs to spiritual evolution, energetic growth and healing. Today, Danielle takes comfort in a fluid existence. As a Mother, creator, healer, vessel, she happily greets each day using the spiritual guidance and tools imparted to her. As a healer, and vessel she only seeks to show others, especially women and children, how easily they can free themselves from social shackles weighing down their physical, emotional, and spiritual bodies.

Life Lessons I Learned the Hard Way
 

BY DANIELLE ELAINE

 

What do you consider to be two major turning points in your life?

Two major turning points in my life would be leaving NJ to attend undergrad at CAU and the birth of my daughter. It was pivotal being immersed in Black southern culture after a lifetime of suburban living. My time in Atlanta definitely helped lay the foundation for who I am today. Secondly, becoming a mother was the catalyst that sparked my journey as a published writer and freelance blogger for major print and online publications. Becoming a mother also was the catalyst that initiated my healing journey and led me to reiki and spiritualism. 

Image by AsiaEmerlle from Pixabay

Image by AsiaEmerlle from Pixabay

 

If you could change anything about the way you were raised, what would it be?

Everything. When I was in high school, I moved in with my dad to attend a performing arts school in Brooklyn. I wanted to leave one weekend to visit friends and family, but he said if I left I couldn't come back, so I tested him. I regret that. 

 

If you could wake up tomorrow having gained any one quality or ability, what would it be?

Unwavering discipline and dedication. I would have accomplished so much more by now if I wasn't so easily swayed by my own thoughts, fears and insecurities. 

 

Is there something that you’ve dreamed of doing for a long time? Why haven’t you done it?

Yes. I haven't done it yet because I haven't had the room or space to pursue it - but I know when the time comes, it will manifest. 

 

If you knew that you would die suddenly in exactly one year, would you change anything about the way you are now living and why?

Yes, I would stop paying bills, sell everything and spend my time traveling and pouring out everything i have to leave behind. 

Image by Masashi Wakui from Pixabay

Image by Masashi Wakui from Pixabay

 

If you were to die this evening with no opportunity to communicate with anyone, what would you most regret not having told someone and why haven’t you told that individual yet?

I wish I had something romantic to say and someone to say it to, but I don't. I think in working on my throat chakra and overall healing, I have said all I needed to say, so I wouldn't leave earth wishing I said more. 

 

What one thing would you give up to become a better writer?

I'm set on my end goal and I would give up anything to get there in order to become a better writer. 

 

Favorite book when you were a kid?

My favorite books when I was a kid were Oh no Otis and Messy Bessey's Garden, and even though I was scared of it, Rumplestiltskin. I would have my mom and Granny read these to me every day and night. 

 

What did you want to be when you grew up?

When I was a kid, I wanted to be a writer, singer, actress, artist and a rapper. I'm good at being an actress, and rapper at this point, HA!

 

What was your dream job when you were younger?

Y'all are going to judge, but I don't care. The only “job” I really dreamed about having was being a stripper. My logic then (which I still think is completely sound) is that everyone loves strippers and they have tons of money. Had I not been fearful of others; opinions, I would have definitely tried it. 

 

What’s for dinner tonight? What would you rather be eating?

Tonight, we are having spinach ravioli for dinner - but i wish it was curry veggies and roti.

 

What’s your favorite food?

This is so hard to answer, because I love all food. Soul food, Caribbean food and Italian food being my top three categories. 

 

What is the best part of your day?

The morning. I love the way the sun pours into my home and showers my plant babies. I love that scene. Second, is laying cuddled up with my daughter watching a movie that I always end up falling asleep to. 

 

If you could choose three people to invite for a dinner party, who would they be and why?

If I could choose three people to invite to a dinner party, I would choose D Smoke, Mia Ray and The Vogue Lawyer. I think these three would be a great time and conversation. They are all extremely intelligent and talented individuals that I truly admire. I know I'd leave full of knowledge and wisdom after a conversation over dinner with these phenomenal people. I can only imagine the range of topics that would be discussed. 

 

Share something your readers wouldn’t know about you.

I am Jamaican, but I’ve never been. I've always wanted to go, and when I finally booked a trip, I ended up getting invited for an interview, and got into a car accident on the way. I was so frustrated and frazzled that I decided not to go, and now, I regret not going. 

 

If there could only be one season a year, what would you want it be?

One season a year is ideal and my choice would be summer. I hate being cold, even though my birthday is in the winter. I prefer tropical climates so much that I intend to move to a tropical country one day.

 

If you had to describe yourself in three words, what would they be?

Funny, introspective and perceptive. 

 

If you could cure a disease, what would it be?

If I could cure a disease, it would be capitalism. This colonial concept has destroyed humanity and significantly diminished our experience on earth, at least for those of us that do not have disposable income. 

 

If you could choose celebrity parents, who would you choose?

I would definitely choose Beyonce and Jay-Z or Rihanna. I think Rihanna would be a cool mom, she's always seemed fun and down to earth, and has proven to be very business smart. I would choose Beyonce, because of the level of access she's been able to build from her work ethic for her children. With that kind of access and their resources, the possibilities are endless. 

Shemazing

Shemazing

 

What life lesson did you learn the hard way?

I think I’ve taken the hard road my whole life, intentionally and unintentionally. Due to my upbringing, I never felt like asking for help was okay, which led me to taking the long road to the finish line in a lot of ways. Also, until recently, communicating in any way was very difficult for me, because growing up expressing myself was always met negatively and I grew to assimilate it with confrontation, which I'd formerly avoided at all costs. Now, I'm confident in myself and my feelings and my throat chakra is balanced, so I speak up when necessary.


Hailing from New Jersey, Danielle Elaine is prolific writer with a love affair for words. She is a self-published author of the book, Love Letters I Never Sent. Although she specializes in a wide range of poetry, she has gained experience writing for print and online publications such as KONTROL and KONTROL Girl Magazine, MommyNoire, MadameNoire and more. On a quest to pursue a passionate and purpose driven life, Danielle found herself on a journey of self-healing.

Through her rediscovery of crystals, she found herself following universal breadcrumbs to spiritual evolution, energetic growth and healing. Today, Danielle takes comfort in a fluid existence. As a Mother, creator, healer, vessel, she happily greets each day using the spiritual guidance and tools imparted to her. As a healer, and vessel she only seeks to show others, especially women and children, how easily they can free themselves from social shackles weighing down their physical, emotional, and spiritual bodies.

Two Major Reasons Why a Big Ego is Necessary for Creative Success
 

BY DANIELLE ELAINE

 

What is your writing kryptonite?

I would have to say discipline and social media. I cannot sit still for too long, and I often pick up my phone and head straight to socials and get lost there way longer than I should. 

internet-3113279_1920.jpg
 

Do you believe that a big ego helps or hurts writers?

I think a big ego is necessary for all creatives. It is necessary to fuel the drive to publish our work. If we do not believe in our work, if we do not have the confidence to share and showcase our work, then what's the point?

 

What other authors are you friends with, and how do they help you become a better writer?

I hope I'm not forgetting anyone, but I don't think I have any author friends. 

 

If you could tell your younger writing self anything, what would it be?

Start sooner. Write more, read more and look to publish your work sooner. Do not give into the fear of others’ perceptions and live out loud. Now. 

 

What does literary success look like to you?

Becoming a multi-time New York Times bestselling author with all my books in the homes of my favorite creatives and completely living off royalties from writing. Being financially stable and worry-free, able to live outside of the U.S. and write from a remote, tropical location. 

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How did publishing your first book change your process of writing?

Publishing my first book opened me up to working with others, seeking outside editors and feedback to make sure my projects are perfect before they release. I was so used to being hyperindependent previously, but now I am open to asking for help when and where its needed and not rushing the process so much. 

 

What advice would you give a new writer just starting out?

Just write! Don't think about everythingjust get it out of your head and down on paper. Worry about the fine details and following the writing rules after. That's what the editing process is for. I would also say don't be scared of change. And also that it's okay to take a step away and come back with fresh eyes. Remember that writing is art and you can create as you see fit. There is something out there for everyone, so just pour out your gift in your own way. 

 

When did you first consider yourself a writer?

I have always considered myself a writer. It was initially my only form of communication. As I got older and read more, eventually, the desire began to share my words with the world. 

 

What is the most difficult part about writing?

The most difficult part about writing for me is the actual act of sitting there and writing. I cannot sit still and work on one thing for too long. The task begins to feel tedious and I have to take a million breaks. I would prefer to make my mind up about writing fifty pages, so I’m just being able to sit and get it done with a laser focus. 

 

[A big ego] is necessary to fuel the drive to publish our work. If we do not believe in our work, if we do not have the confidence to share and showcase our work, then what’s the point?
— Danielle Elaine

 

What is your favorite and least favorite part of the publishing journey?

Simultaneously, my favorite and least favorite part of the publishing journey is working with others. The lack of control is frustrating, because things aren't getting done in my desired time or as fast as I'd like. However, I love it because working with others has allowed me to elevate my work, which is important to me. I want to pour out the best I have to give in everything that I do.

 

Have you always wanted to be a writer?

Yes, I have always wanted to be a writer. I actually published my first book in 1995. I vaguely remember it being a class project that our teacher put together. I also remember getting a typewriter I wanted for Christmas, and sitting in front of the TV, watching a Michael Jackson interview and fake typing on it as if I were a reporter. I had a list of things I wanted to be, and writer was at the top of my list, and so far it's what has stuck.

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What is the most difficult part of your artistic process?

The most difficult part of my artistic process is the discipline to keep working through those moments or feelings of stagnation. As a creative, I realized I'm always searching for this particular frequency rather than just being present and doing the work. 

 

What famous author do you wish would be your mentor?

I wish Octavia Butler, James Baldwin and Tomi Adeyemi could be my mentors. I think these are phenomenal writers with powerful, poignant and timeless work. 

 

What do you like to do when you are not writing?

Listening to music. I love it and I look forward to adding it to my resume of accomplishments as a writer at some point. Besides music, it's definitely reading books and tending to my plants. 

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Does writing energize or exhaust you?

Writing energizes me, because it's cathartic. It gives me an opportunity to pour out the things I've consciously or unconsciously locked away. When I'm fully engaged with my creativity, it makes me feel alive and offers a freedom I get high on. 

 

If you had to do something differently as a child or teenager to become a better writer as an adult, what would you do?

I would read more, even though I actually read A LOT as a kid. I would ride my bike to the library in the summer and check out books daily. At some point, I lost that and I wish I hadn't. I would’ve also started a blog as a teenager and put myself out there more as far as contests, open mics and poetry slams. 

 

How many unpublished and half-finished books do you have?

Too many! I have a novel, a script and two or three more books of poetry marinating. 


Hailing from New Jersey, Danielle Elaine is prolific writer with a love affair for words. She is a self-published author of the book, Love Letters I Never Sent. Although she specializes in a wide range of poetry, she has gained experience writing for print and online publications such as KONTROL and KONTROL Girl Magazine, MommyNoire, MadameNoire and more. On a quest to pursue a passionate and purpose driven life, Danielle found herself on a journey of self-healing.

Through her rediscovery of crystals, she found herself following universal breadcrumbs to spiritual evolution, energetic growth and healing. Today, Danielle takes comfort in a fluid existence. As a Mother, creator, healer, vessel, she happily greets each day using the spiritual guidance and tools imparted to her. As a healer, and vessel she only seeks to show others, especially women and children, how easily they can free themselves from social shackles weighing down their physical, emotional, and spiritual bodies.

Danielle Elaine Reveals the Highlight of Her Book of Affirmations
 

BY DANIELLE ELAINE

 

What is the key theme or message of your book?

The key theme is healing and inspiration. I want people to read this and find the courage to dig for diamonds within themselves and their lives. Find the silver lining in their circumstances and follow it through to their purpose. 

crystals-1567953_1920.jpg
 

What is the significance of the title, SCRIPTURES OF GOLD?

I come from a religious Christian background, and the title signifies the importance, and the weight of the words within. Just like holy texts are memorized and canonized in our lives guiding and inspiring us to live and do better, I want my book to be held in the same regard - the only difference is there is no fear-mongering, shaming, and conformity requirements.

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Do you write while listening to music? If so, what music inspired or accompanied this current book?

I do sometimes write while listening to music, and when I do it is usually something soothing or songs i do not know, so that I do not get distracted by singing along.

 

You also write fiction—was the process different for a book of affirmations and what challenges did you face writing it?

Yes, I would say the process was different in that I have to tap into a different space for affirmations. This book is meant to open the door to healing, so while I wrote it, I tapped into the collective consciousness to feel what was needed. These words are to spark hope and optimism and ambition and confidence from within. 

 

What was the highlight of creating this book?

The highlight of creating this book was speaking to my inner child. I was writing to help heal others, and healed myself at the same time. When I thought of the concept for this book, it was for melanated children to find hope and light in this often cruel world. But I realized that these are things people of color of all ages and walks of life need as well. 

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Are you working on anything at the moment you would like to share with your readers?

I am currently building out a podcast, available on all platforms. Lucy’s Apothecary x Healing Corner offers meditations that can be used while awake or sleeping. I am also working with The Sunshine Project Kid, which is a platform for conscious parenting, offering tools and resources such as children's meditations and affirmations. Lastly, my fiction novel A Minister’s Child should be completed by the end of the year. The novel is loosely based on my life and it's full of drama, suspense, and poetic scenes, which are my favorite. I'm really looking forward to finally releasing it. 

 

Tell us about your first published book. What was the journey like?

My first published book, Love Letters I Never Sent, was a compilation of poetry I had written throughout my teenage years and early twenties. Being a published author is something I have always wanted, and when I was in the midst of a deep depression and pregnant, thinking about what kind of mom I wanted to be, I had a revelation: I thought about not having the familial support behind my dreams, no one invested in me via writing classes, workshops or extracurriculars. I didn't want that for my daughter. I wanted her to know she could be or do anything she chose. With that, I realized I needed to have proof of what I was saying - how could I tell her to follow her dreams, when I had not? I needed to have something to show for what I would be preaching and that was the catalyst that got me to publish my first book. 

 

Where do you get your inspiration?

I draw inspiration from myself mostly. Myself and my life. I find I write what I need, or need to get through different circumstances. I also find inspiration in other art forms like music or paintings. I have a poem I wrote about hands that was inspired by my former barber. It talks about the creative process and the duality of the strength and softness in his hands. It's one of my favorite pieces. 

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You’ve written fiction and now a book of affirmations. Do you have a preference?

I think poetry will always be my first love because it's like short, powerful stories. You get meaning bites and imagery in just a few lines, and I love that. It doesn't take much to make an impact with a poem. 

 

Is it easier for you to write one over the other?

It is definitely easier to write poetry or affirmations over fiction because fiction takes more detail and structure and nuance to writing rules. I'm a writer, but I do not honor the strict requirements of the writing profession. I just know words and how to appropriately pair them to create magic. 

 

What are you reading now?

I'm currently reading Nothing Down by Robert G. Allen, a book on investing in real estate without putting your own money up. I'm trying my hand at real estate until I hit NY Times Best Sellers and Oprah's Book Club.


Hailing from New Jersey, Danielle Elaine is prolific writer with a love affair for words. She is a self-published author of the book, Love Letters I Never Sent. Although she specializes in a wide range of poetry, she has gained experience writing for print and online publications such as KONTROL and KONTROL Girl Magazine, MommyNoire, MadameNoire and more. On a quest to pursue a passionate and purpose driven life, Danielle found herself on a journey of self-healing.

Through her rediscovery of crystals, she found herself following universal breadcrumbs to spiritual evolution, energetic growth and healing. Today, Danielle takes comfort in a fluid existence. As a Mother, creator, healer, vessel, she happily greets each day using the spiritual guidance and tools imparted to her. As a healer, and vessel she only seeks to show others, especially women and children, how easily they can free themselves from social shackles weighing down their physical, emotional, and spiritual bodies.

An Interview with Chi Chavanu Àse
 

BY GREGORY HEDGEPETH

 

Through her Chi The Woke Ratchet platform, which has almost 15,000 followers on Facebook, I’ve been a big fan of Chi’s for a couple years now. When I found out she was working on a book—a science fiction book at that—I couldn’t wait to hear the details. 

Luckily, we were able to connect through a friend of mine (another huge fan of hers) who mentioned Vital Narrative Press when Chi mentioned that she was looking for a Black publishing company to release her first book. When we first discussed the premise over the phone, I was completely blown away and couldn’t wait to put my eyes on it—and once I finally got the chance, it was even better than she initially let on. Within a few months, we were blessed (no pun intended) with the opportunity to publish Journey To Ghana and Other Stories and I am truly honored that she trusted me to help bring it to fruition. As far as the book itself, Chi included so many fascinating characters and captivating elements in these stories with six thought-provoking protagonists who each bring a different component to the overall narrative in a reimagined, post-apocalyptic world.

I got the opportunity to ask her a few questions that dig a little deeper into the book itself as well as some of the thought processes behind each story.


Tell me a little about your book and the world you've created.

Journey To Ghana and Other Stories focuses on the end of the world from a Black experience. To add to this, there are meta humans and monsters who are also trying to survive the end of the world.

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What books, films and TV shows most inform the aesthetic of this book?

I would have to say Octavia E. Butler’s Wild Seed and her Xenogenesis trilogy—but really all of her works.

First edition cover with cover art by John Cayea

First edition cover with cover art by John Cayea

How was the narrative conceptualized? Did it start with an image, a voice, a dilemma or something else?

I was taking an evening walk and passed a white woman who was dressed in all black. My first thought was “what if she was a witch?” That’s how my first story “The Healer” began. “Journey to Ghana” had been swirling around in my head for awhile, I just hadn’t started the actual writing process yet.

How did you develop the settings for this story?

I more or so had themes, and chose settings off those themes. Most of the actual settings were places that meant something to me... like my hometown of Sacramento, CA.

What was the strangest thing you had to do to create this story?

This is an interesting question, because I have to explain how “odd” my thought process is. For example, you might see someone with a bump on their head and think it’s just a bump. I see the same bump and think “This is the beginning of their transition. Soon their body will be covered in spikes.”

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Who are your main characters and give us a few details about what makes them tick.

Each story has a Black woman or girl as the lead. “Journey to Ghana” is told by a 12-year-old girl named Mawusi. She is not like other 12-year-olds, because she has never gotten the opportunity to be a kid. Her entire life has been spent fighting and surviving.

Cover design by MALICIOUZ

Cover design by MALICIOUZ

Which character was the most challenging to create and why?

Most of the characters had an element of my personality, but the two who were furthest from my personality were Mawusi and Compton. Mawusi was difficult, because I was writing from the perspective of a 12-year-old. Compton was difficult, because I was writing from the perspective of someone who had experienced 100 years of depression. It was intense.

Which scene or chapter in the book is your favorite and why?
This is a tough question, because there were so many. If I had to choose one, it would be “LaKiera Jones” and her character reconciling with her transition. She went through so many emotions and still figured things out.

Which scene was most difficult to write and why?

”Belly,” by far, was the most difficult story as a whole. It gave me so much anxiety that I had to leave it alone for over a month and come back to it. It could not be rushed and it forced me to pull from my imagination in ways I did not know I could.

Which scene, character or plotline changed the most from the first draft to the published book?

I’m not sure if “changed” is the most accurate word, but a lot of the characters evolved for sure.

What do you hope readers will take away from this story?

That science fiction is a genre Black people belong in. Our ancestors wrote conceptually about science and religion, and had stories passed down that would align with our views on science fiction. The amount of creativity inside of us is astounding—we just need to write it down.

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Which character are you least likely to get along with?

I’m good with the main characters, but characters like Jakoob would annoy the hell out of me for sure!

What would the main character in your book have to say about you?

This is a funny question, because I have a few main characters. I think in “Journey to Ghana,” I would definitely be seen as an elder or a storyteller.


Chi Chavanu Àse is a science-fiction/fantasy author who was first introduced to sci-fi by her mother at an early age. Often sent to her room for misbehaving, she would curl up in a blanket with one of her mother’s books which subsequently ignited the spark that would fuel her love for literature. She initially began writing and performing poetry at the age of twelve. Over time, she began to notice how difficult it was to find books that she could associate or identify with the characters, given the lack of representation. Thus, it became her greatest desire that little Black children would see themselves represented in every genre, especially sci-fi. Her first book, Journey to Ghana and Other Stories, focuses entirely on the Black experience. Likewise, it is her desire to continue writing stories and producing literary work that Black people can see themselves represented in. Chi currently resides in California with her fine-ass husband and amazing children.

An Interview with Peter Philipps
 

BY DARLENE P. CAMPOS

 

Mr. Peter Philipps is quite the character. He’s a Holocaust survivor, a retired journalist who worked for The New York Times, Businessweek, and McGraw Hill, as well as a US Army veteran and former volunteer for the United States Holocaust Memorial Museum. He was born in 1931 in Essen, Germany, but was forced to flee his hometown after Hitler came into power. He has lived in Prague, Czechoslovakia, Genoa, Italy, Quito, Ecuador, New York City, and finally Bethesda, Maryland, where he has settled down. When he arrived in the United States in the early 1940s, he didn’t speak a word of English, but he taught himself so well that he eventually became a professional editor (and he’s VERY strict about grammar). We met in person earlier this year and we have been in touch since late 2018 because I stumbled upon his history while doing research for my fourth novel. He creates his fiction with meticulous skills and outstanding brilliance.


Peter Philipps: So, you’re interviewing me because I made Time Magazine’s Man of the Year, is that right?

Darlene P. Campos: Yes, that’s exactly why.

peter1.jpg
 

Excellent. I’m ready for you.

Number 1: Describe your writing style and your preferred genres.  

My writing style is lousy.

 (laughs) That’s not true.

My preferred genre is nonfiction since I was a journalist, but I started writing fiction after I retired. I just never had the time to earlier.

 

Number 2: What do you like to do when you’re not writing?

I like to read, cook, and I build. I build bookshelves and cabinets and other things. I built the book cabinet and bar combination in my house that takes up a whole wall. I built a cedar closet in my basement and a pantry, too. In my living room, I built two walls of shelves for my books and stereo equipment. Those are the major things I’ve done, but I wouldn’t call myself a good craftsman.

From what I remember about your house, the cabinets and shelves looked fine to me, so give yourself some credit.

You didn’t look closely. But, anyway, I really do enjoy working with my hands.

 

Number 3: In your opinion, what is the best piece you’ve ever written and why?

Oh, probably my short story titled “In the Time Remaining.” It’s my best piece because everybody likes it.

book1.jpg
 

Number 4: In your opinion, what is the worst piece you’ve ever written and why?

I’m thinking, I’m thinking. I think all my pieces are the worst.

All of them? I wouldn’t say all of them.

I don’t have my book in front of me, it’s upstairs.

I have your book right next to me, let me read you the titles. (reads titles)

Oh, well, I think those are all pretty good.

Told you. What about the articles you wrote during your journalism years? Was there one you hated?

Those were all crap.

All crap?! Really?

There was a series of financial planning articles I wrote for Businessweek. I won a National Press Club journalism award for that.

That means it wasn’t the worst thing you ever wrote then.

Well, no. I guess I don’t have an answer.

 

Number 5: When did you know that you wanted to be a writer?

About in the 1960s. I have always loved reading and wanted to make a living out of my writing, but I didn’t write any fiction until much later in life. Life interfered with my ambition to become a writer like marriage and children, and I couldn’t afford to quit my day job to write full time. Besides, I didn’t think I had any talent and I don’t.

What makes you think you don’t have any talent?

If I had any talent, I would’ve been successful. Lots of people totally ignored my book. A few people paid me some compliments, but that’s about it. The book never really went anywhere, I think I sold three copies.

From personal experience, I can tell you it’s very tough to be a writer.

Yes, it is. But you are very persistent. I stopped counting rejections when I reached 400 and that’s when I thought, well, maybe I’m not a writer. I also don’t like most stories that are written these days, particularly in the exalted New Yorker magazine.

When you talk about your rejections, do you mean for your book or do you mean something else?

Four hundred rejections for my short stories.

Oh, I see. If it makes you feel better, I’ve received around 600 rejections for my short stories.

(laughs) Wow! You are persistent. If anyone deserves some success, it’s you because of the way you persist and don’t give up.

 

Number 6: Imagine you’re stranded in a busy city and you don’t have a way to get home—which one of your characters would you call for a ride?

(laughs heartily) They’d all leave me stranded because I’m an old grouch!

There has to be at least one who’d pick you up.

Hmm, Jakob Herz from “In the Time Remaining,” because he’s such a nice guy.

 

Number 7: You are in dire need of a home repair that you can’t fix yourself, so which one of your characters is coming to your rescue?

What? Who made up these questions?

I did.

(laughs again) You’re a Spitze (German for “great, cool or wild”).

I like fun questions. Nobody likes a boring interview.

Right. Hmm, which character… hmmm, the character from “Lady in Blue.” She’d call a good repairman for me.

She’d probably call [my husband] David.

Hah! I imagine she would.

 

Number 8: When you are experiencing writer’s block, what do you do to get the inspiration rolling?

Have another drink! Vodka on the rocks, specifically Tito’s Vodka. It sometimes works for me, or I just shut down the computer and take a rest for a day or two.

 

Number 9: Do you use any real-life experiences in your fiction?

Of course. “Lady in Blue” is based on my neighbor. “Schadenfreude” is based on someone I knew long ago and “Can We Talk” is based on another person I know. “History Lesson” is based on real events, too.

 

Number 10: If you could have dinner with any writer, living or dead, who would you pick?

Hmm, that’s a good question. I’m looking at my bookshelf. I would say… Winston Churchill, for sure.

Winston Churchill wrote books?

Oh, many books. He’s my hero, I think he’s fascinating. He saved us from being conquered by the Nazis.

Taken in Mainz, Germany where Philipps was stationed in 1955 as part of US Army

Taken in Mainz, Germany where Philipps was stationed in 1955 as part of US Army

 

Number 11: What is your favorite book and why?

John Galsworthy’s The Forsyte Saga. It’s about a family named Forsyte living in the 1800s and I just get right into it, as if I’m part of it. It speaks to me. Another writer I love is Bernard Malamud. He wrote wonderful short stories and a book called The Fixer. My favorite short story writer is Irwin Shaw.

 

Number 12: What advice do you have for amateur writers?

To stick the seat of the pants to the seat of the chair.

That’s a funny way to put it.

It’s not original, I didn’t make it up.

 

Number 13: Do you write in other languages or would you consider it?

Nope. Too difficult.

 

Number 14: Writers live forever through their works, so which work would you like to be remembered for?

I guess my book.

Not your journalism work?

When you’re a journalist, you write stories every day, but for me, nothing sticks out. I’ve thrown everything away as well.

 

Number 15: Tell me your best joke.

I don’t have any, I don’t remember jokes.

 

Number 16: If you could go back in time, would you have started writing fiction sooner?

Yes. I was busy earning a living and raising a family when I was younger. Actually, I originally planned to be an engineer, but I got kicked out of school because I’m very poor at math and physics, so I flunked every single course. I made a poor decision. That’s how I got into journalism and writing. I’m a real dope when it comes to math.

High school senior photo, taken in 1950

High school senior photo, taken in 1950

 

Number 17: Who would you say is your biggest inspiration?

Richard Yates, Irwin Shaw, Bernard Malamud, and John Cheever.

 

Number 18: If you could not write, say, if you were to write something, you’d go to prison, what would you do?

I’d go to prison.

What if you had to share your cell with a serial killer?

(laughs) I’m not afraid of cereal, I have it for breakfast every morning.

See? You have jokes!

That’s the best I could do.

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Number 19: What are you working on right now?

I haven’t written in a while, I’ve been very discouraged. I’ve been thinking about writing some autobiographical pieces.

Oh! I’d read that!

You might be the only one who does.

Then you’ve got an audience.

 

Last question—Number 20: Is there a story that you want to tell but you haven’t written it yet?

Yes, somewhere in my head lurks a story I want to write.

When will you start writing it then?

Before I die, I guess.

Well, that’d be the best time to do it. Those were all the questions I had for you. Did you have fun?

(laughs) I had fun. Let’s stay in touch, Darlene.


For more information about Peter Philipps, please visit his profile page on the United States Holocaust Memorial Museum’s website here: https://encyclopedia.ushmm.org/content/en/id-card/peter-philipps  

Read “In the Time Remaining” at: https://www.ushmm.org/remember/holocaust-reflections-testimonies/echoes-of-memory/in-the-time-remaining

Read “Garden Music” at: https://www.ushmm.org/remember/holocaust-reflections-testimonies/echoes-of-memory/garden-music 

Read “The Invitation” at: https://www.ushmm.org/remember/holocaust-reflections-testimonies/echoes-of-memory/the-invitation

 

Darlene P. Campos earned her MFA in Creative Writing from the University of Texas at El Paso. She also graduated from the University of Houston with a BA in English-Creative Writing and a minor in medicine and Social Studies. She is from Guayaquil, Ecuador, but currently lives in Houston, TX with her husband David and an adorable pet rabbit named Jake. Her website is www.darlenepcampos.com. You can support her work here.

Writers Asking Writers Questions | Gregory Hedgepeth & Shannon Ford-Jefferson
 

BY GREGORY HEDGEPETH

 

Last year, we created a series of in-house interviews called Authors Interviewing Authors, where our roster traded conversations in an attempt to get to know one another as well as provide some intimate insights into the life of a fellow writer. This year, we expanded on our series, aptly renaming it Writers Asking Writers Questions and turned it into a recurring series involving established authors as well as new, unpublished writers.


Gregory Hedgepeth: If you had the opportunity to live anywhere in the world for a year while writing a book that took place in that same setting, where would you choose?

Shannon Ford-Jefferson: I would choose Tel Aviv or somewhere green and plush in Africa. Tel Aviv was a beautiful place, full of great food, ambience and I've always wanted to go to the motherland.

Image by noamarmonn from Pixabay

Image by noamarmonn from Pixabay

 

You feel uninspired and you’ve sat at the computer for an hour without conquering any words. How do you get your creativity flowing? 

I just start writing whatever comes to mind. Sometimes, I read a book or listen to music when my thoughts don't produce content, but that's never really been a problem I've had trouble with.

 

What is your most unusual writing quirk?

I draw poetry.

 

What behind-the-scenes tidbit in your life would probably surprise your readers the most?

I don't like to unpack. I usually live out of my luggage.

Image by MikesPhotos from Pixabay

Image by MikesPhotos from Pixabay

 

What does being a successful author look like to you?

Writing content that makes me feel something, and in return, inspires others to feel something as well.

 

Who is the most supportive person in your life when it comes to your writing?

My best friend Audrey. She always has been willing to listen, critique and cheer me on.

 

How do you think being a writer has helped you as a person?

It helps me articulate difficult situations and come to terms with my feelings. I don’t have to be so concerned with the narrative and how I planned it that I don't live the life out loud that brings me joy opposed to the one I wrote in my head.

Image by lena dolch from Pixabay

Image by lena dolch from Pixabay

 

How do you come up with the titles to your books?

It usually just comes to me and the meaning is similar to where I am in life.

 

What is the most difficult part about writing for you?

Editing. Hands down.

 

Tell us about your first published book? What was the journey like?

Naked. Circa 2008. It was effortless, because I was enjoying the process and had no one to impress. I was only doing what I loved.

 

What is the significance of the title? What do you hope your readers take away from this book?

This title DDD & ATMILAH is heavy. Meat and potatoes if you will. Personal experience. Shared experience as well, because I do believe so many can relate.

 

What were the key challenges you faced when writing this book?

Not wanting to rewrite the book at each edit phase.

Image by congerdesign from Pixabay

Image by congerdesign from Pixabay

 

If you could ask one successful author three questions about their writing, writing process, or books, what would they be?

I would choose either Pablo Neruda or Kwame Alexander. I love them both equally. The three questions I would ask are:

  • How do you convey the hunger and urgency of love so effortlessly?

  • What was your breakout moment, going from a name no one new to a beloved poet?

  • What is your favorite poem or body of work you've written and what/who was the inspiration behind it?


Gregory Hedgepeth is the editor-in-chief of Vital Narrative Press. You can follow him on Facebook, Instagram or Twitter. Feel free to follow on all three. Or maybe just two. Yeah, two’s probably good — he’s not that interesting. Gregory Hedgepeth is also the author of MISCONCEPTIONS ABOUT SUNRISES, THE YEAR THAT ANSWERED and A COLLECTION OF ECHOES. BUY THAT SHIT.

Writers Asking Writers Questions | D.A. Alston & Gregory Hedgepeth
 

BY D.A. ALSTON

 

Last year, we created a series of in-house interviews called Authors Interviewing Authors, where our roster traded conversations in an attempt to get to know one another as well as provide some intimate insights into the life of a fellow writer. This year, we expanded on our series, aptly renaming it Writers Asking Writers Questions and turned it into a recurring series involving established authors as well as new, unpublished writers.


D.A. Alston: You're a multi-passionate creative, correct? How do you juggle being interested in so many things that require creative energy?

Gregory Hedgepeth: I had to learn to say no to certain things and assign certain work for certain days. I spent a lot of years trying to balance it all, attempting to complete as many creative things as possible and pushing each day to the limit. But I discovered that causes me a lot of overwhelm and the work suffers. So now, I schedule it all out and focus all my energy on one thing at a time. No matter how bad I want to dig into a story, if it’s not on the schedule, I force myself to put it to the side until time becomes available. This month is dedicated to writing a screenplay for a short film. Next month, I’m going to be focused on writing the sequel to A Strange Fascination With Violence. Most of next year will be focused on my next poetry project and short stories to help expand and flesh out the universe created in the two novels. It’s possible to get it all done, but I find it easiest to just focus on one thing, get that done and then move to the next.

Image by annca from Pixabay

Image by annca from Pixabay

 

What's the most difficult part about being creative nowadays? 

Finding the time for everything on the business side of things and compartmentalizing all the ideas I have in mind. Sometimes, I’ll have so many ideas that it becomes hard for anything to really get done. I’ve learned to focus on doing what I can do instead of trying to do everything I can think of. I think the most frustrating part is definitely balancing that side of things with the creative side. A lot of days, I just want to write and put the work in and create—but these days, there has to be a larger focus on sharing the work and putting myself out there for the world to see as well.

 

How do you get over those creative lows where you can't write a word?

I’m always in my own head, kinda checking in with how I’m feeling and if the words are flowing. And when they aren’t, I don’t put any energy into getting frustrated with it. I just focus on something else for a little while. Sometimes, I think it’s important to realize that we can stand in our own way by trying to force the process. If you literally can’t write a word, it’s probably because you’re trying too hard. So, focus on something else for a while and give your brain a break. When you come back to your work-in-progress, you’ll probably see a big difference in your ability to focus.

 

What do you hope people take away from your next body of work, A Strange Fascination With Violence?

I want people to realize we all have demons, we all have traumas, we all have goals and desires the world will never see. Sometimes, we can use it to our advantage. Other times, it’s to our detriment. Those are the things that shape who we are and who we become. I hope that people will consider some of the things these characters will have to go through and grow through in order to become better people. That every downfall shouldn’t be an reflection of one’s shortcomings or lack of resolve. I definitely think there’s a line that people can cross, but I hope this book showcases that everyone is vulnerable to making a wrong decision at some point and also capable of overcoming.

Photo: @IAMSADE_

Photo: @IAMSADE_

 

Where do you seek inspiration to write?

Everyday life always inspires me. Just about every line of my writing can be attributed to something I’ve observed or gone through. I think it comes through in creative ways, but for me, the real-life stories are definitely there. My mom is there, my sisters are there, my wife is there, my daughter is there. There’s so much texture in our everyday lives and I try my best to remain present and pay attention to it. It makes for much richer writing. Imagination is great and obviously adds a certain something—but the best writing comes from within the things we experience.

 

There is a stigma of creatives being ultra sensitivedo you think there is truth to that?

Why shouldn’t we be sensitive about our work? We spend hours pouring little bits of ourselves into these thoughts and feelings and universes and that shit can get really personal. For writers like myself who subscribe to the notion of “writing what you know,” having someone dislike your work is tantamount to having someone dislike you. Which is understandable, I guess—but at the same time, I think it’s kind of harsh for someone to say they dislike what someone does creatively instead of simply saying “this isn’t intended for me,” which is probably more accurate, in my opinion.

 

This latest project has been a long time coming.  We've seen you documenting your progress and discussing your process on social media. What's different about this book in comparison to your other books?

My books of poetry focused more on the reader and wanting them to take something away from what’s written there. I always want there to be some semblance of a lesson or at the very least, a morsel of truth they can hold on to. I want there to be this moment internally where they see how their personal journey may intertwine with my own.

A Collection Of Echoes focused on grief and how it can affect our daily lives, our personal relationships and our personal growth. It also focuses on how therapy can aid in people’s development as they deal with loss, which we all have to contend with at some point.

A Strange Fascination With Violence is pretty ambitious in regard to my usual content. It’s really more of a commentary on society and how we can fail one another, especially those we’re closest to. Even with it being set in an alternate universe, the parallels become obvious in the first couple chapters. It’s taken so long for me to finish it, because the story has changed so much over time, but I believe it’s been for the best.

Image by Free-Photos from Pixabay

Image by Free-Photos from Pixabay

 

With the world ever-changing and technology ever-evolving, do you think paper books will become obsolete?

I sure hope not. Kindles and e-readers are spectacular and I think for some people, they’re superior to print—but personally, nothing beats the feel of holding an actual book in your hands and flipping through the pages.

 

The world now is very focused on everything being "politically correct." As a creative individual, how do you maneuver with that while still remaining true to yourself?

As an author, I don’t focus on political correctness in my writing, because it’s a reflection of the world and the world isn’t always PC. A character saying or doing something that the average person may find offensive is usually based on an observation about the world as a whole.

As an individual though, I try my best to be cognizant of the feelings of others and how they may be forced to maneuver through the world. I cringe at some of the things I used to share online, because I know better now and I’d hate for my words (past, present or future) to make it harder for someone else to exist in their own skin. I’m hopeful if it ever comes to a point where I get held to the fire for something I’ve said, that I’ll be genuinely apologetic and take it as a teachable moment instead of lashing out and blaming the world for being more accountable than it has been in years past. I don’t think it has to be termed politically correct to consider someone else and their feelings for a moment before speaking. A lot of times a simple conversation can bring light to an issue that was once ugly—I plan to keep that in mind and navigate through it all as best I can.

 

If you weren't writing and creating in some capacity, what would you be doing?

I’d probably be a bigger asshole than I am now and spend my days criticizing everyone’s writing anyway. I’d be an internet troll or something LOL Or maybe I’d just spend my days playing video games, talking shit to teenagers online. Hopefully, we never have to find out what that’s like.


Gregory Hedgepeth is the editor-in-chief of Vital Narrative Press. You can follow him on Facebook, Instagram or Twitter. Feel free to follow on all three. Or maybe just two. Yeah, two’s probably good — he’s not that interesting. Gregory Hedgepeth is also the author of MISCONCEPTIONS ABOUT SUNRISES, THE YEAR THAT ANSWERED and A COLLECTION OF ECHOES. BUY THAT SHIT.

Writers Asking Writers Questions | Darlene P. Campos & Q. Vergara
 

BY DARLENE P. CAMPOS

 

Last year, we created a series of in-house interviews called Authors Interviewing Authors, where our roster traded conversations in an attempt to get to know one another as well as provide some intimate insights into the life of a fellow writer. This year, we expanded on our series, aptly renaming it Writers Asking Writers Questions and turned it into a recurring series involving established authors as well as new, unpublished writers.


Darlene P. Campos: You're an editor, a writer, and a mom. Do you think being a mom has improved your writing and editing skills?

Q. Vergara: Oh, for sure. I’m a huge proponent of experiences that can give your writing depth and I definitely feel like pregnancy and being a mother has given me an abundance of experiences to draw from to strengthen my writing. As for my editing? Kind of. I feel like I’ve become a more efficient editor. Before you have a child, you have an abundance of time. Now I have a fraction of the time I had before to get the same amount, if not more, work done. Having a child definitely taught me better time management in that aspect. Grammatically? I fucking doubt it. I make up so many words, because I have no patience to think of the word I need anymore. It’s creative as fuck, but not a great trait.

 

Let's talk about your work in progress! Can you describe your protagonist as if he/she/they were on a dating site?

I like witty jokes, a whiskey dry, skin-scorching showers, weed so strong it’ll blow your wig back, and a man who will protect me from others, not protect his heart from me. If you vibe, lemme know. Unsolicited dick pics will get you blocked. Roaming hands will get you stabbed.

Image by Thorsten Frenzel from Pixabay
 

You and your protagonist are on vacation and you're both famished. Where are you in the world and what kind of food are you two getting?

One of my characters, who will remain nameless (because I never named her), goes to a farmer’s market in her short story. I love farmer’s markets, so I definitely think that would be a thing. Anything fresh and stupid delicious; how can you go wrong with baked goods and fresh fruits and veggies? Answer: you can’t.

 

Tell me about the setting of your work in progress. Is it based on a real place?

I was greatly influenced by P. Curry’s Caliope of Atalan. Because of Curry’s book, I’ve decided to make a place that loosely resembles Southern California with my own twists. I definitely want to incorporate fantasy elements and not be boxed into certain geographical or factual aspects. I guess that’s the cool part about being an author.

 

You're driving to a doctor's appointment when suddenly, your car battery dies. Which character, your own or made by someone else, are you calling to come give you a ride?

Mr. Meyer from Heaven Isn’t Me. Whenever Elysian calls Mr. Meyer, he’s always there for her. Dependable, nonjudgmental. But I don’t have to tell you about him, huh? I would definitely try to smoke a joint with him too. You think he’d be down?

Heaven Isn’t Me — Front Cover Final.png
 

If you weren't a writer, what career would you be doing?

Probably hospitality. I’ve worked in hotels before, and for the most part, I loved it. I got my first associates degree in hospitality travel and tourism. Or an inventor. I love using my imagination and creativity to create new ideas. I’ve actually been working on a little something on the side, but there are patents and shit involved, so I gotta keep it hush hush for now.

 

What is your favorite part of the writing process? Writing? Revising? Editing? Submitting? Pulling out your hair? Selling your soul to the devil, so you can figure out how to better tell your story?

LOL So you’re familiar with the process, I see? I love the orgasm that is flow... when you get that rhythm and everything’s falling into place and your words are steadily skipping out as if it’s prewritten and you’re following your destiny and your only job is to bring it to reality by copying the words out of the air. There are definitely some pieces in my debut that came out so organically, that I was able to embrace my creativity and really develop my talent. It became a spiritual, soulful experience for me and helped me cope with a lot of damage I didn’t want to address. I love the discovery that comes with the process. Shit, meeting the characters... this last editing round, I really embraced editing and my editorial team and I saw my writing improve over night. So apparently, I like the whole shit, I guess.



 

What is your favorite book and why?

I don’t know if I can choose one. Every time Vital Narrative publishes a book, it becomes my new favorite. If I had to pick a book that isn’t by one of our authors, Hyperbole and a Half by Allie Brosh would definitely be in my top ten. I felt understood, and at the time I found it , it had been a long time since I even felt heard. I struggle with depression, so being heard helps me cope. I nearly read the whole book standing in front of the shelf.

 

Do you have a drink or snack of choice while you write?

I always have to have cold water. Since I’m on my computer, I don’t want to grease up my keyboard with food. I normally just like to smoke drugs of the marijuana variety. *hits le bong*

Image by Kira Hoffmann from Pixabay

Image by Kira Hoffmann from Pixabay

 

All authors love their characters, but is there a character you've created who you just can't stand?

I just wrote this whole explanation saying no not really, but then it fucking hit me. In “Migraine Season,” there’s this doctor that is just the utter fucking worst. I would get mad all over again writing his part—even reading it during revisions pissed me off. A similar situation happened to me, so it just revisits all those feelings of frustration all over again.

 

There's a young writer out there in the world who needs some advice on getting published. What are you going to say?

A: Keep writing. Write until you have a library of work. Write books, poems, screenplays, prose, different styles, themes, points of view.... do it all. So when the time comes, and a publisher wants to sign you or you get an agent, you know how to do the work. You know how to get shit done. You have a track record of getting shit done.

Establish a library, so people have something to fall in love with. Study that shit in school. Get certificates. Anything that you think will help you learn more. GET A FUCKING EDITOR. That’s non-negotiable. Don’t trust people who say you aren’t good. The best writers I know have gotten insulted by other industry professionals. If they make it personal, it isn’t a good critique. Work with people that see your vision. That’s half the work. Writing is a craft. If you freelance, don’t undercharge. Look up starting rate, it’s probably higher than you think. But whatever you do, don’t fucking stop writing.


Darlene P. Campos earned her MFA in Creative Writing from the University of Texas at El Paso. She also graduated from the University of Houston with a BA in English-Creative Writing and a minor in medicine and Social Studies. She is from Guayaquil, Ecuador, but currently lives in Houston, TX with her husband David and an adorable pet rabbit named Jake. Her website is www.darlenepcampos.com. You can support her work here.

Writers Asking Writers Questions | P. Curry & Darlene P. Campos
 

BY P. CURRY

 

Last year, we created a series of in-house interviews called Authors Interviewing Authors, where our roster traded conversations in an attempt to get to know one another as well as provide some intimate insights into the life of a fellow writer. This year, we expanded on our series, aptly renaming it Writers Asking Writers Questions and turned it into a recurring series involving established authors as well as new, unpublished writers.


P. Curry: So first things first, tell me a little bit about your upcoming novel, Heaven Isn’t Me?

Darlene P. Campos: I wrote the first draft in two months, from August to October 2018. Unlike with my two previous novels, I didn’t just rely on my laptop to write the draft – I wrote 85% of the first draft on my phone! Whenever I had a free moment, even if it was just five minutes, I’d whip out my phone and use the Google Docs app to write. Writing on my phone worked wonders in getting this book done quickly. I easily wrote 1,000 words a day using this method.

Heaven Isn’t Me follows fourteen-year-old Elysian Lecaro as she faces a diagnosis with anxiety disorder and tries to solve two mysteries: a) who shot her friends in a recent drive-by shooting and b) who kidnapped Gladys Richardson, her best friend’s older sister?

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Were you in any way inspired by your own struggles with anxiety for this project?

Yes, yes, and yes. Elysian and I share some characteristics, though she is much bolder and braver than I am. When I was her age, I had anxious thoughts, but I didn’t realize they weren’t normal until I was older. For example, whenever a school dance came around, I was 100% convinced that if I didn’t find a date, I was destined to be alone for the rest of my life. It sounds ridiculous now (especially since I’ve been married for over a year and I’ve been with my husband for seven years!), but back then, I really believed it.

I had other thoughts like I would fail high school and never graduate, even though I was on honor roll and I ended up graduating a year early because I was so ahead in my studies. I remember my friends telling me, “Darlene, we love you, but sometimes you worry too much.” And they were right. So, in my first semester of college, I talked to a counselor and after several weeks of sessions, she told me I had anxiety, but not to fear since there were ways to address these irrational thoughts of the future, such as thinking of all the good outcomes of an issue first.

Because of my experience with anxiety as a teen, I knew I had to write a book with a character like Elysian to show teens of today that there is hope and healing for them. There is a lot of pressure on teens as they grow up. They’re trying to make good grades, they have crushes, they want to fit in, they’re getting ready for the next steps of their lives – so of course they’re going to worry about themselves and their future. They are not alone and they don’t have to feel ashamed of their anxious thoughts.

 

Mind sharing who and/or what some of your influences are?

Oscar Wilde, Sandra Cisneros, Barbara Kingsolver, Rebecca Brown, Lorrie Moore, Edgar Allan Poe, Langston Hughes, Maya Angelou, John Green, ZZ Packer, Tennessee Williams, Elizabeth McCracken, RJ Palacio, Stuart Dybek, Jeannette Walls, and Carrie Fountain. There are others I’m likely forgetting. I went on vacation with my husband to Washington D.C. in June and we drove about an hour away to Baltimore where we visited Edgar Allan Poe’s house. His house is VERY small and the stairwells are so narrow, I’m surprised I was able to climb the steps. At the top of the house, there’s an even narrower stairwell that leads to Poe’s bedroom which includes his quill pen and his writing desk. I cried the second when I saw these items – I couldn’t believe I was looking at the exact spot where Poe wrote his legendary works. The moment felt like a pilgrimage. While Poe is known for his horror stories, I’m a huge fan of his poetry. Poe’s poem “For Annie” is one of my favorite poems ever.  

Likewise, I went on a weekend trip to San Antonio a few years ago and stayed in the historical (and supposedly haunted) Menger Hotel. Oscar Wilde stayed there back in 1882. The Menger has a special plaque with his name on the door of the room where he slept during his stay. The room is available for booking, but last time I checked, it was $300 a night. Anyway, right before I checked out of my room, I found his room and took a selfie with the plaque. I didn’t experience anything paranormal at the Menger, but I seriously hoped Oscar Wilde’s ghost would visit me so I could ask him for writing advice. Unfortunately, he didn’t haunt me.

 

I’ve noticed that you’ve been doing extensive research on the Holocaust and Jewish history and culture. Are you applying this knowledge to a future work?

Yes, but since I’m currently sending this manuscript out to agents and publishing houses, I don’t want to say too much about it.

It’s based on true accounts from Holocaust survivors I interviewed plus accounts I learned from the children, grandchildren and great-grandchildren of other Holocaust survivors I couldn’t interview since they have passed away. I used the accounts along with my own fiction-thinking brain to create this novel.

That’s all I will say for now.

 

Any other ideas you have in mind for future works?

I’m revising my fifth novel right now, which I also wrote in two months (April to June of this year) by writing most of it on my phone. It’s about a fifteen-year-old boy named Matthew who wants to be a doctor, but since his mother doesn’t earn much money, he’s busting himself to get a good scholarship. He can sing well, and his friends tell him about a singing scholarship, which is great, except he has horrible stage fright AND he needs to write his own song for his audition, which isn’t his strength. Will Matthew finally get a scholarship for his medical school fund? Will he bomb his audition? Will he audition at all? Who knows? 

The title right now is Matthew The Riot, but is subject to change. Fun fact: it’s also a semi-sequel of my fourth novel.

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I find it admirable how you always do such extensive research on whatever it is you’re writing about, especially in regards to different cultures. What motivates you to always be so in-depth with your research?

Simple—I LOVE to dive right into my research. I can read a thousand books, watch a thousand videos, and interview a thousand people, but it is not the same as experiencing what I’m researching. When I was writing my second novel, Summer Camp is Cancelled, the protagonist, Lyndon, is Catholic and I knew close to nothing about Catholicism. So, I went to Mass several times, learned prayers, songs, and talked to priests. I read books and watched documentaries and other informative videos (shout out to Father Mike on the Ascension Presents YouTube channel!). I also interviewed over forty practicing Catholics, but the best part about learning was being present in Mass, because I experienced Catholicism firsthand. I even went to a two-hour long Christmas Midnight Mass because Lyndon attends a Christmas Midnight Mass in the novel.

Additionally, Summer Camp Is Cancelled has a character named Melody and she is deaf, and Lyndon’s father is deaf in one ear (just like my father). I interviewed people who are deaf to shape these characters and I read books and watched videos, too, but I also spent days with earplugs on to experience the silence. For Lyndon’s father, I spent days with one earplug. By diving into my research, I feel that I can properly capture who my characters are without making them seem like stereotypes or unrealistic. I worry about improperly representing characters outside of my own realm, which is why I want to be as accurate as possible so I do not hurt anyone’s feelings with misrepresentation.

 

What are some of your long-term career goals?

My ultimate dream is to earn enough money to give to charity and those who need my help without having to think twice about it. Ever hear about those anonymous millionaires who donate tons of money to nonprofits? I want to be one of those millionaires. Need surgery? I’ll write you a check, so you won’t have medical debt. You need your car repaired? Here’s $25,000 for you to buy a new car. Homeless animals at the local shelter need food? Here’s $50,000, get them dessert, too.

Okay, I’m getting carried away by my dreams, but wouldn’t that life be the best?



 

Would you be open to a film or TV adaptation of one your books in the future?

Of course! But they have to let me write the screenplay. If not, the deal is off.

 

Let’s say, you were banned from writing! What path would you take from there?

If I didn’t write, I’m not sure what I would do with my time. The longest I can go without writing is a few weeks and then I feel the withdrawal and get back into it. So, if I were banned from writing, I would write anyway, even if it could get me arrested. Then I’d write in prison, too.

Photography is another passion of mine, but it’s nowhere to close to writing. I also love to box and swim for exercise. I would easily give up my camera, punching bag and boxing gloves, and all my swim gear rather than my pen and paper.

 

Since you aren’t actually banned from writing, is there anything else you’d like to do with your craft besides penning novels?

I wish I could do something different, but novels are my specialty. I have had poems published in various literary journals in the past, but I can tell you with full certainty that I am not a poet.

I also wish I could write songs. My great-grandfather, Alcides Martinez, was a musician, songwriter, and a poet. He wrote songs which are still covered by Ecuadorian artists today. However, I sadly did not inherit his abilities. Novels are it for me.


Darlene P. Campos earned her MFA in Creative Writing from the University of Texas at El Paso. She also graduated from the University of Houston with a BA in English-Creative Writing and a minor in medicine and Social Studies. She is from Guayaquil, Ecuador, but currently lives in Houston, TX with her husband David and an adorable pet rabbit named Jake. Her website is www.darlenepcampos.com. You can support her work here.